Believe It Or Not…It’s My Favorite Re-Makes

Since last year when I began sewing more often (that is, every week), re-making a pattern is a rarity so far. I like to use a pattern piece here or an idea there, incorporating a little of every other pattern into most of my projects. When I have a nice, full file cabinet of patterns yet to make, there has to be a real winner among them to deserve a reason for a repeat. I like variety in my clothing, and thus my favorite patterns which have been remake gladly look totally different from one another.

It actually feels quite nice to depart from vintage and explore my own modern, updated style! Nevertheless, after missing out on the Sew Weekly Gatsby Challenge in early September, both of this post’s project ideas surprisingly came from looking at a lot of 20’s to 30’s patterns, Deco photography, and fashion posters.

Here, I made a casual ‘Saturday style’ t-shirt knit dress.  It was made by magically combining two patterns together – a top pattern and a skirt pattern turned into one dress. Not that I’m short on dress patterns right now. I just wanted a challenge and had a vision of an idea – a modern vintage dress with echos of an older vintage…the 1930s. Both eras had some timeless styles. Now I brought them to the 21st century.

Then because I had the pattern out of my cabinet and wanted to try it as a top only, I made a fancy black sequin re-fashion from an over-sized, sloppy craft t-shirt and some party material. This one is versatile, believe it or not, pairing with jeans, a denim or a dressy skirt, and even going nicely under a blazer. The way it reflects the light means that I am bringing a party with me wherever I go! This is much better than glitter.

THE FACTS:

FABRIC: for the dress- a thin, loose, and somewhat unsubstantial, but very soft, cotton knit and a soft beige stretch lace for back and pocket – both from stash and so basically free; for the sequin top- a craft store T-shirt, found in my stash, but bought about 5 years ago for $2.50, and 1 yard of sequin netting fabric, bought recently for $9 something; the chain necklace and bracelet- put together by me and bought at JoAnn Fabric store for $6.30

NOTIONS: I had the proper machine needles, seam tape, and thread already; I just bought some black bias tape for $2 or less

PATTERNS: McCall’s 6623, year 1979, for the top, made twice now, as you can see in this post.  New Look 6470, year 2005, for the skirt (used three times now), to make two skirts back 10 to 7 years ago (not blogged yet), and then for the franken-patterned dress in this post.

TIME TO COMPLETE: for the dress- about 5 hours, finished on Oct. 5, 2012; for the top- about 5 or 6 hours, finished on Dec. 20, 2012

THE INSIDES: for the dress- the seams are just zig zagged together nicely, as the knit fabric did not want to be ‘restrained’ too much into a perfectly finished seam; for the sequin top- I am so proud of this part! I sewed hem tape into the shoulder seams, sewed bias tape around all the other seams, and hand sewed a line of bias tape along the inside of the neckline. My extra work is SO worth it…because there is no itchiness from the sequins!

FIRST WORN: for the dress- worn on a Saturday outing to visit antique malls and look for treasures (home stuff and old patterns); for the sequin top- over to my Aunt and Uncle’s house for a Christmas get together. This is my new go-to ‘casual but still fancy’ top for the holiday season.

For both creations I did the same pattern combo. The New Look skirt pattern was only used as a ‘benchmark’ for the perfect hip fit, since I used it for the dress. My chosen skirt pattern was layered over my top pattern at 1 inch below the waist, since the skirt hugs the hips a bit. The cutting instructions were improvised by me in order to match with the layout of the top. The skirt piece is supposed to be cut on the bias, however, I simply folded the full skirt pattern in half to cut on the fold. This way I come out with a one-piece dress and a great base measurement for my top. I usually don’t throw cutting and grain line instructions out the window but this was a happy experiment. Then I just did free hand grading in between sizes…I know where I need my clothes to be forgiving 🙂 You can see a little of what I did in the picture below.

My T-shirt dress is remotely like 1930s era day dresses by the way it has a long bias ruffle slanted up one side of the hem. In early fall, I actually had too many ‘nice’ dresses, and I needed a casual dress that would also stretch my sewing capabilities a bit further along. When I finished my dress, I knew it wasn’t my coolest project, but I ended up feeling like I could really sew anything if I sincerely tried.

The special detail to both this dress and shirt is a very fun back bodice detail. Presenting a good image as you walk away or turn around is something unexpected but always lovely. 1930s styles used such a detail frequently to great advantage. Adding a super soft stretch lace in the open back solves any drooping off of the shoulders and (I think) lends a special, enticing touch to what might otherwise be drab. I certainly find myself not wanting to cover the back up with a sweater! Besides, I needed a way to make a dent in a large cut of this stretch lace. I really don’t remember why I bought so much, but I am sure I’ll use it in some future projects again.

I did layer some lace scraps over the dress’ little self-fabric chest pocket to add a little extra interest and unite it with the back detail. A pocket may be little but this pocket is not too small to still be useful. I can still keep a hair band, some bobby pins, or even a small to-do list in this dress’ one. Pockets are sooo handy and a definite necessity to any garment.

Unfortunately I don’t have a picture to post of the skirts I made years ago from the New Look 6470 which was used to make this dress. The one skirt I made then must have turned out alright since I remember a clothing store worker complimenting me, even though, (STUPID ME) I used a woven navy/white tweed for what is a stretch pattern. Oh well. I think I buried it amongst clothing stuff somewhere in my parents’ basement back then when I realized I wasn’t happy with my sewing skills. I will keep looking for both skirts, or a picture at least…

20s-Chanel-sequin-dress

My black sequin top was an idea spawned from admiring a Target sequin tank, and telling myself, “Hey… you can make your own, but better!” Soon after, I found an over-sized T-shirt on hand while going through my old stuff. Then, I was crazy enough to buy bags of sequins and plan on (yeah right) sewing them on by hand, in a decorative Art Deco design. Wow…I am ambitious sometimes.  At right is one of the ideas I was working from: a Chanel beauty of a 1920’s dress.

My plans drastically changed for the easier when I found a sequin-covered ‘fabric’ netting on a trip to the fabric store. I suppose it came in for the holiday/New Year’s sewing. I pulled it off the rack and couldn’t wait to get it cut and take it home. The fabric store employee might have had something there, when she hesitated to cut it, because cutting and sewing this sequin ‘fabric’ was so much more of a mess than any fur I have worked with in the past. The sequins would pop and jump at every cut I made, even hitting me in the face. Those sequins were sticking to my skin and left a messy trail everywhere I would work with my top.  I found myself growling, murmuring complaints, and breathing heavily in frustration while sewing or working with the sequin fabric.  This is rarely how I create. I know some sewing bloggers get driven into a very especially “unwelcoming” mood when working with sequined fabric, and now I can commiserate with them.  However, I am not discouraged from sewing with sequins again!

I will finish writing this re-fashion story short and sweet. I cut all original seams off of the t-shirt, only keeping the sleeve hems. Then I re-cut the pattern top exactly as I did for my dress, and cut another front piece from the sequin fabric. The sequin front piece was pinned onto the T-shirt front, then I re-sewed the whole top back together, stabilizing seams.

Next I used chalk to draw my own plans onto the back of the dress. I took advantage of the wide netting edge along the selvedge to fill in a large open back, similar to the lace in my knit dress above.

Voila! I like how it is, as it is, so I plan on using the sequin bags for another Art Deco type dress.

I kept switching between needles the whole time I was piecing this together, using the sharp where ever I was sewing through sequins and using a knit ball point where I was only sewing on the T-shirt knit. I hope this was the right way to work, but I don’t see how I could have done it otherwise.

Just a little FYI : I did a ‘sort of’ funny mistake when I finished sewing this top. When I was done, I was so excited to try it on and I completely forgot there was one last pin on the inside armpit seam. OUCH! I had one long, swollen scratch that luckily didn’t bleed much. My husband actually thought it was rather funny that my scratch was in the shape of the letter Z…the Mark of Zorro, maybe?!  It makes me want to get out my old black and white Zorro movie (a little tip – the 1940 Tyrone Power version is my favorite)!

Here is an outtake of me enjoying my new top and playing cool with the contrast of the sequins against my red sports car – the inspiration behind my logo!

If I don’t make one more post before the end of the year, Happy New Year everyone! Here’s a toast to another great year of sewing ahead. Cheers!

1 thought on “Believe It Or Not…It’s My Favorite Re-Makes

  1. Pingback: Basic is Beautiful | Seam Racer

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