Let me start off this post by saying I have an explanation for the relative quiet on my blog through February. My husband and I went on a trip to Colorado! We both like getaways in January or February, and last year we went to Florida. Yet, he loves ski areas and picturesque snow, while I…not so much – but I do love a good fashion related exhibit. Our preferences were combined into one by our visit to Denver and Winter Park. I had the opportunity to see the much touted (and no longer open) “Dior: From Paris to the World” exhibit at the Downtown Art Museum as well as experience my first visit out west! The mountains were breathtaking in beauty, the air and water so fresh and invigorating, and my wardrobe was all me-made, cozy, and fun. Our stay (and photo shoot backdrop) was the best we’ve had at the amazing historic Brown Palace Hotel. This leads me to the main point of this post! It is not only to say look out for more posts on my recent travel wardrobe, like this one, but also to muse over the thought of doing an overview of the Dior exhibit as well as make a few inspired pieces.
However, this post’s me-made garment is a simple and out-of-my-ordinary-style refashion which combines a sequin bouclé remnant and a tee now too small for me into one warm and snazzy boxy top. It was a last minute make before the trip that only took a few hours to whip together yet got rid of two random, unwanted pieces from my scraps pile. This was my wardrobe option for staying casual yet stylish, warm yet fashionably dressed, and newly handmade all the way!
FABRIC: The bouclé is a wool and acrylic blend with sequins interwoven with the black and true navy blue yarns; my top is a printed 100% cotton knit
PATTERN: Burda Style no.6983 pattern from March of the year 2013 – I do believe this pattern is both out of print and not available on their website, but the new no. 121 from the March 2019 issue is very similar (without the cowl neckline)
NOTIONS: I needed only basic stuff to make this – thread and bias tape – all of which was on hand
TIME TO COMPLETE: It was finished on February 7, 2019 in only 3 awesome hours!!
THE TOTAL COST: The bouclé remnant cost $5, and the top, being in my wardrobe for over a decade now, is as good as free by now…so this cost as much as a new but basic cheap RTW top but looks oh-so-much better!
As I mentioned above, the knit top has recently become too small on me to be comfortable, primarily in the arms, so I was limited to mostly the body for what I could use. Thus the middle main body of the top was chosen to be re-cut into wide and comfy sleeves. The bottom hem was used to be the sleeve hem for a nice finish, which is why I only had room to make ¾ sleeves. I did still save the original top’s old skinny sleeves, hoping to use them to make cool seam allowance binding on something else in the future. Hey – every scrap can go towards something in my house!
I did not have enough fabric in the sleeves to add the cowl neckline originally included in the patterns design. I was sort of considering on fudging something together like it, only without the double layer of fabric. In the end, I’m still holding onto the top’s old sleeves and wearing my already made Burda Style turtle top as an under layer for both warmth and to get the slouchy neck without the stitched-on commitment. I can wear this top by itself with an open neck for slightly chilly days or when I just don’t mind showing a flash of skin above my middle. I also have the option of layering. I love versatility in garments and most of the time being practical is balanced with high-falutin’ ideas in my brain.
The half yard bouclé remnant was at least 60” wide so I had something more than just a pittance to work with thank goodness. It was bought because I loved the fabric, but I only went for the discounted remnant because with a regular price of $20 a yard…well, I just don’t spend that on fabric unless I have a really good reason (which is not that often, maybe a few times out of a year). I have too much of a stash to work on, instead! Anyway, with both selvedge edges folded into the middle, I had two seamless edges available to cut on. My neck to waist measurement is 15 inches, so at 18 inches for the half yard I figured it was safe to plan for a cropped length top. I choose the Burda Style no. 6983 pattern as it was simple, a pattern in my stash I have been wanting to try, and it seemed to have generous sizing perfect to be a pullover. Crop tops might not be the most ‘on trend’ right now, but then fashion is all over the place currently (in my opinion) so anything really goes. I suppose it’s better late than never.
The fit was very generous! I chose my “normal” size and it was still very wide. Part of this was the intended design, especially since it has the dropped shoulders to accentuate the boxy shape. For anyone who wishes to make this pattern, I would recommend going down a size…it will still be loose and boxy just not so overwhelming. Otherwise, I would recommend going with my adaptation. The size I had cut out only appeared like a garment made for someone bigger than me so my solution to fix what I had was to add a box pleat to the center neckline at both front and back. This brought the shape in dramatically, but I really love how it gave the top much needed interest. Also, the pleat nicely shapes the boxiness into more of a waist complimenting flare out on the sides of my body. This is hard to show in pictures, it only really shows when I move. This top literally needed those box pleats in more ways than one.
In order to not waste precious inches off the bottom to do a hem (which would be too bulky anyway), I did the classic Chanel type of frayed hem which has become a trademark of her designer tweed, four pocket boxy jackets. It is easier to do than it might look. The main intent is to ‘finish’ the edge to allow a controlled fraying. For my last Chanel-inspired creation, I used the selvedge to stick out over a finished hem, but this was not going to work here with a different material finish. I used bias tape to sew on in a double running stitch just above a ½ inches worth width of fraying. The bias tape underneath acts like a bumper to keep the last loose layers of bouclé sandwiched in place under the tape without appearing like there is anything there. I’m dying to try this hem again on my next bouclé garment.
There is nothing like a traveling to make me feel like something new, no matter how simple, and the only way to that (for me) is to go with me-made. My clothes show their worth and have the chance to shine on our travels, becoming linked with special times and memories. However, it is bigger than that. The cheap knit top I refashioned isn’t really much, it is up to 15 years old, shrunk and misshapen, so if it had come directly from a resale store I probably would have never considered making a fresh use out of it. However, that top had been worn on some of my dates with my husband before we were married, when we were just getting to know one another.
Perhaps it is silly of me to remember little details like what I was wearing, but this is just why refashioning is so important. Clothes are intertwined with our human existence, whether thought about or not, and they carry a story with them. So – in order to save that story and continue it, to do every possible little action towards ethical fashion for a healthier world, and to stay creative and resourceful is only the beginning of why I made this odd and unassuming top. The same goes for almost every refashion I do. On its own, I would probably hate this style on myself, but the way I approached it makes me loves the fresh change about it. The ability to sew is so beautiful and it takes projects like this to keep me thankful I have the ability for it.