It was the day after that terrible, unexplained explosion at the Isodyne Energy Facility. She was fighting through so much internally and externally – confusion, loss, blame, and a gut suspicion of a truth that she cannot prove. At least she was the only one who had the humanity to get to know the missing scientist, no matter what his skin color. Although she did not have the time to establish the connection she was inherently hoping for, she did understand him enough to mourn that he was only another senseless innocent in the long list of persons she seems to be the cause of their destruction. Rightly or wrongly, those are her feelings. Yet, the rest of the world around her only wanted the ‘facts’ about last night tied up in a nice little package, so that the truth for them was what they expected to hear. SHE was the one needed by those in power to sign off for their lies – willingly or not was the threat. What might our heroine wear for such a scene? How can her fashion translate her strength showing through her weakness, her conviction to stand for veracity as the sole woman among a sea of lying, well-connected men?
Luckily, Peggy did have some true friends to turn to in such an hour. Fortunately, also, the wonderful costume designer Gigi Melton has already come up with the perfect, amazing, and striking answer to a scene such as this, as well as other incidents just as powerful.
The heroine, Peggy Carter of the “Strategic Scientific Reserve”, dons the signature color of her female adversary – purple. As someone who perennially wears blues, reds, and browns, she combines it with a new-to-her tone from the other end of the spectrum…green. A professional looking faux two-piece outfit becomes a convenient one-piece dress. Bold but sensible courage is manifested in Peggy’s fashion as well as character. Now, with my sewing capabilities, some fabric remnants, and an old pattern, I have my very own copy of Marvel’s Agent Carter’s dress for the above described “John Hancock” scene from Episode 3 of Season Two, “Better Angels”.
I love how Peggy’s words perpetually cut through the crud around her and are searingly direct, like a hot knife in hard butter, especially for this scene. Truthfulness with others is what she is best at, and those scenes in which this memorable dress is worn, she oozes an assertive yet feminine, complex yet simple, and full on 40’s look! “Better Angels” episode helps demonstrate why I have such respect for her and why I admire her character – an everyday superhero capability is tinged with a very relatable humanity and touching empathy.
April 9 is the anniversary of Peggy’s birthday, and it’s annually a day to celebrate a character that has brought so much into our lives by taking part in the “International Agent Carter Day”. This is one of my favorite days of the year! For such a day this year, I will post one of my very favorite Agent Carter outfit “copies” I have done. It also happens to get the most compliments everywhere I go wearing it! All this was made in one yard of deep eggplant purple gabardine and a few scraps of bright China silk leftover from a past project. I adapted a true vintage 1946 pattern to both keep to the era and find the real historical version – thus I’m not just copying a Hollywood garment.
Of course, anyone who knows me knows I love a great pair of shoes, especially one that perfectly matches a color in my outfit. Thus, I set out to find some true vintage shoes which would parallel the olive green B.A.I.T brand heels in the show. There are some more modern decades, such as the 60’s or 70’s, which mimic 1940’s shoe styles, with slightly different heel shapes. They are frequently much more wearable because of their not-so-fragile-as true-40’s footwear, however. So, after much searching, I found a pair of lovely suede and polished leather, woven front, peep-toe heels in my size, in the exact matching green as my center bodice! These are so comfy and really complete the outfit, yet they sadly blend in too well with the grass to be seen when I’m in a yard!
FABRIC: a rayon/cotton blend gabardine, combined with china silk (leftover from lining this 40’s jacket-style blouse) for the contrast, and full lining in the bodice with all cotton broadcloth.
PATTERN: McCall #6377, year 1946
TIME TO COMPLETE: This dress was finished on September 10, 2018, in about 10 hours.
THE INSIDES: cleanly bias bound
TOTAL COST: The one yard of purple gabardine was a remnant found for about $5 at Wal-Mart, the silk was scraps (I don’t count the cost of such small pieces), and the “American Classics” cotton was yet another remnant, this time found at JoAnn for a few dollars. This dress cost under $10!!!
Faux boleros on a one-piece garment or even just color-blocking – like this dress – seemed to have been a ‘thing’ starting in the late 1930s through 1940s, from what I have found so far through extant garments and similar sewing pattern designs. This collage is only a small portion of what inspiration I have come across. These are all a very smart – perfect for using small cuts of fabric, but nevertheless make the most fun out of fashion as well as the most streamlined outfit ever! The bottom right extant late 1930s dress is the one that I specifically channeled here with my tweak to add a bit of Agent Carter my vintage pattern. That inspiration garment had the arched, faux cummerbund mid-section as well as the shiny silk contrast bodice panels which worked perfectly with my need to fit every pattern piece on small remnants. The more concise the pieces, the better to fit onto scraps!
Getting my bodice to look like a faux bolero required me to retrace it out onto paper, cut out that copy, and re-draft it into a few extra pieces. Yet, to keep all of those pieces together nicely – besides validating the accuracy of my re-drafting and provide a clean interior – the bodice lining is the one-piece design of the original pattern. I was so happy to be using my lovely leftover silk in a project which would highlight it. As I had only used it for interior lining in the project before, this silk literally now has its opportunity to shine. Yet, the silk is so much lighter compared to the substantial thickness of the gabardine, it sometimes appears quite wrinkled. China silk is not the best at holding its own on a fashion design. There’s exceptions to the rule as you can see here, but it really is best as a lining. I wouldn’t trust the China silk to not rip or tear apart on its own if I hadn’t lined the bodice.
The best part of sewing a two-tone dress (total irony here) is having to switch between colors with the spools and bobbins of thread in my sewing machine. It is a real pain! This is why I did the side zipper and several other sections by hand. Not to brag, but I can use whatever color of thread on whatever color of fabric and make the thread invisible! Such a technique is a very useful skill, just sharing a heads up! I kept the machine top-stitching to the purple portion of the bodice only because gabardine doesn’t look as terrible showing thread as silk would. Silk is such a fine fabric, I feel like it deserves better (most of the time) than machine stitching! I know, silly me!
There’s something to be said about dressing in character. When you try to copy someone else’s wardrobe, no matter how much you like it on that other individual, you are not dressing for yourself until you own it and make it yours, whether through a tweak to the garment or a change of mental outlook for example. I – and many other wonderful women who call Peggy Carter their heroine, like me – find that Captain America’s “Best Girl” only raises us up and makes us stronger and more confident in ourselves when taking on her persona through wearing her wardrobe. Agent Carter is such a special character to emulate. She is so relatable and inspiring in so many ways that to imitate her is like manifesting a braver and bolder version of yourself, which needed Peggy’s help to show itself. Let’s all “know our value” today and every day!