A Skirt-Blouse and a Dress-Skirt

The second installment for my 2020 “Alter It August” is a featuring of this crazy but coordinated and happy display of me wearing things in the wrong place.  Ugh – that just sounds like need to relearn how to dress.  No, I just like the sewing success I find when thinking a bit differently when attacking my tucked-away mending pile.

What I started off with were two vintage pieces in their own right.  I’m wearing what had been a skirt from the 1990’s as a newly refashioned blouse of the 40’s WWII style.  Then, I also salvaged what was left of a true vintage 30’s era dress into becoming a skirt which pairs nicely with my new blouse.  Yes, I’m all over the decades and every article of clothing I started with is now something else.  Yet, somehow, what I ultimately ended up with is these wonderful separates that I can wear and enjoy for years to come.  I think I can rock this sort of upside-down dressing!

THE FACTS:

FABRIC:  a soft cotton with a hint of spandex is the fiber content of the skirt that became my blouse, while the true vintage dress that became a skirt is a lovely rayon gabardine finished off with a matching color modern cotton sateen

PATTERN:  Simplicity #4528, a year 1943 vintage original pattern from my personal stash, was used for the blouse

NOTIONS:  some interfacing scraps, thread, two true vintage buttons for the blouse, and a vintage metal zipper for the skirt.

TIME TO COMPLETE:  It only took me about an hour or less to clean up the dress and turn into a skirt.  The blouse was finished on August 1, 2020 in about 4 hours.

THE INSIDES:  The insides of my blouse are cleanly bias bound, while I kept the original (pinked) seams of the vintage dress-turned-skirt and merely finished the waist.

TOTAL COST:  FREE!

My true vintage skirt was more of a salvage than a refashion like my blouse.  I had an acquaintance had passed to me this piece that someone had given her because they knew I am a smaller size and would be capable of restoring this to a wearable state.  The bodice of a cream-colored, rayon gabardine 1930s dress had been roughly cut off midway through, the side zipper ripped out, and the amazing duo of large pockets halfway hanging on.  I can’t help but hopelessly wonder what the full dress looked like originally.  It might have been wonderful to have the chance to save more than just the skirt, but really – I shouldn’t complain!  This was a wonderful gift and an honor of a challenge.

I started off with the basic preliminary tasks – trimming the bodice down to the point where I would sew on a waistband, taking off a handful of belt carriers, re-stitching down the pockets, and setting in a side zipper.  Next I used a cotton sateen from on hand (because hey, it was something I didn’t have to buy and it matched in color) to sew on a waistband and a hook closing.  That was all it needed besides a basic cleaning and pressing.  There still are some very slight stains I need to get out but overall I am very ecstatic to have saved this piece.  I am amazed that for all this dress had went through before it came to me, there were not any obvious stains or even a hole, rip, or tear in the skirt (it is pristine).  A very good vintage find finally all fixed up deserves a great new top to pair with it, right?!

I had a plaid skirt which had hardly ever been worn, even though it has been in my wardrobe since circa 2000.  I had bought it second hand back then, so it must be from at least the 90’s, judging by both the style and how the label inside proudly claimed to be completely “Made in the USA”.  Maybe I should not call it fully vintage…just ‘dated’ for now.  Nevertheless, it became a blouse of a different ‘vintage’!  The skirt’s plaid was cute enough to me that I held onto it for this long, yet the style always screamed too “school girl” for my taste and so was rarely worn.  No doubt the fact the hem ended right above my knees added to that impression.  It has a low-riding hip yoke with a deep-pleated, flared skirt below and was fully lined.

A refashion can feel like a giant uncertainty, so it helps to use a pattern that you’ve used already and which has turned out successfully before.  It gives an extra confidence level.  I used the same pattern that gave me one of my current favorite vintage blouses – this “Australia” movie inspired creation – and merely shortened it to waist length because of the limited amount of fabric I was working with.

There was so much fabric in the pleated section below the hip yoke, all I needed to do was cut that part of the skirt off and it was like having a long 2 yard by 20 inch section to work with.  There was imperfect plaid matching in the skirt to begin with, and I did not have any extra fabric to be as choosy of a perfectionist as I like to be with geometrically printed fabric.  Yet, I do think I made the best of it!  The belt strip to the original skirt became the waist tie attached to the bottom hem of my new blouse.  This tie front feature helps the top stay down on me and is also a nice feature to perk of the pretty, but still a bit plain, ivory gabardine skirt I am wearing with it.

I was sort of aiming for a pre-WWII casual 40’s kind of look here, but I’m happy it ended up looking pretty timeless after all.  The skirt is in a feminine and comfortable bias cut so it is obviously 30’s era, but a well done cut and style like this never goes out of style.  After all, the giant, interesting pockets hold my Android phone just fine with room to spare…how modern is that!?  I personally like large blouse lapels and cannot lie, however, they do rather give the blouse away that it’s vintage.  Yet, crop tops are quite popular now, the tie waist is an unexpected detail, and the plaid is quite fun, so perhaps all this outweighs the collar for a contemporary appeal.  I paired my outfit with my Grandmother’s earrings and my comfy Hotter brand tennis shoes.

Even though “Alter It August” is drawing to a close, it’s always a great time to whip those unusable clothes into shape and make them work for you!  You have the sewing superpowers to create…now use those same gifts to take care of what you already possess on hand and make sure it is something useable that you love.  A refashion from what’s on hand is something new for nothing, with the added happy benefit of knowing you both succeeded at something challenging and helped counteract the global harm of the wasteful fast fashion industry.

I don’t know about you, but at the rate I am going out and about these days, I really don’t need a whole lot of anything new coming in the house besides food in the fridge.  That doesn’t stop me from continuing to be a ‘maker’, though, and this sporty little outfit was just the sensible, thrifty little pick-me-up project to be useful, keep me creative, and clean the house all in one.  Maybe I haven’t been out enough for me to even think of turning a skirt into a blouse, after all, though?

Agent Carter’s Color-Blocked Slacks Suit

Slacks suits of the 1940s – when the blouse and the pants both matched as a set – are such an admirable yet interesting piece of fashion history which is under the normal radar what we think of WWII clothes for ladies.  No doubt it has to do with the fact they are an extremely rare item to find extant, especially with both pieces together.  They were an avant-garde statement of women’s empowerment.  They always have great design lines and wonderful styling when they are to be found either in person or in magazine images.

A slacks suit was nice clothing, and not just for working the garden or at a factory assembling war supplies like dungarees.  They were also day wear, or for home leisure, when they were out of nicer materials with finer details, but always practical by offering great ease of movement and practicality for the busy, multi-tasking woman of wartime.  Any way they were styled or worn, though, wearing pants was still not a societal accepted norm for women.  Many young women or ladies with confidence and a sensible disregard for public opinion took to such fashions.  It totally makes sense that a character such as the indomitable Agent Peggy Carter would wear such a thing when she came to sunny Los Angeles in 1947 (Season Two)!   What a better way for me to channel a 40’s slacks suit than to take cue from Miss Carter and make my own color blocked version!

THE FACTS:

FABRIC:  a burgundy colored apparel weight polyester challis from Uptown Fabric shop on Etsy along with an old cotton knit t-shirt

PATTERN:  an adapted version of Simplicity #4762, year 1943, for the blouse; I acquired this pattern as part of a trade of vintage goods with Emileigh, the blogger behind “Flashback Summer”

NOTIONS:  thread, some interfacing, and a set of true vintage 1940s buttons out of the inherited stash of hubby’s grandmother

TIME TO COMPLETE:  The blouse took me 30 hours to complete, including the necessary re-sizing of the pattern.  It was finished October 30, 2019.

THE INSIDES:  cleanly bias bound

TOTAL COST:  All I needed was two yards and this cost me only $14

To make things a bit easier on myself –so I thought – I bought the pants RTW from a company that remakes vintage style garments (Unique Vintage‘s “Ginger pants”).  These pants are made of the hard-to-find, soft, and wonderfully sturdy rayon gabardine so I couldn’t resist them, especially as they have a true high waist, pockets, and a good 40’s style wide leg.  I love that these pants are the next best thing to something I would sew myself.  They are a saturated, true burgundy and I thought that should not be hard to match…boy was I wrong.

It took me a year’s worth of browsing every so often, both in person at fabric stores and over the internet (which is much harder to do due to screen variations), to find a color which would match my existing pants AND be a proper blouse weight material.  So many burgundy tones either were too blue toned, too red, or too purple and then the fabric was either a quilting cotton, a silky print, or a duck cloth.  I would have preferred a natural material, but sometimes ya gotta go with the best one can procure for sewing projects.  At least this challis is high quality polyester which is surprisingly quite nice and –besides the surface shine – really not an obviously man-made in content.  Occasionally that dream material is too hard to find, especially when I was so impatient to be able to wear my completed dream project!  The two different contents of the pants and the blouse play tricks on the camera in the sun, but in person and through pictures in the shade, the two pieces really do match up.

Speaking of another challenge in color matching, I also had a really hard time also finding a material to match the rest of my set which was a true dark-toned spruce green.  I was tired of the searching so part of this outfit is also a refashion.  I chose the practical “made-do-and-mend” route and used an old printed t-shirt from on hand which no longer fit me.  It was in the right color green, only a completely different fabric – a cotton knit.  I was thinking (rather hoping) that the contrast in type of material might be passable because it is a contrast color to the rest of the set as well.  Also, I do love a sleeve that is easy to move in.  Against my better judgment, I went ahead and used the tee for this slacks suit’s blouse…and I am pretty pleasantly surprised at how well this refashion turned out.

I kept the original sleeves as-is from off of the t-shirt and transferred them directly onto the new blouse I was sewing.  I cut out the front Christmas print because I liked it (and might applique it to a new tee in the future).  The majority of the back body of the tee went towards the new blouse’s contrast shoulder panel and under collar piece, while the bottom hem was used to lengthen the sleeves a bit by adding faux cuffs.  I interfaced the shoulder panel and the under collar piece because, being a rather thin and stretchy knit, I thought the green tee material needed to act and feel stable like a woven from the rest of my set for it to ‘fit in’.  It seems my idea worked well.  I was afraid that using a knit for the shoulder panel – the spot on a blouse which has practically the most stress from movement – would be a terrible idea yet between the interfacing and lining that panel with more of the blouse fabric…my blouse is staying in its intended shape.  The sleeves were the only part from off of the tee that I kept fully stretchy.

Between the knit arms and the full, gathered lower back bodice panel, I now have a vintage blouse which lends itself to some extreme butt-kicking wrestling moves, such as Agent Carter was wont to exhibit on men who needed an awakening at the hands of a woman.  Luckily the scene in which we see Peggy first wearing this outfit (“A View in the Dark” episode) was a very active one, and all the different angles shown of her slacks suit were very helpful in seeing what details there were.  Out of the TV series’ original outfit, I kept the small pointed collar, the dark green buttons down the front, the back blouse fullness, the combination of colors, and the general placement of the contrast color.

However, as I have done for all of my other Agent Carter “copies”, I like to both personalize the clothing according to my taste and base it more heavily upon historical accuracy.  My bought trousers align with WWII-time standards with smaller pockets, no hem cuffs, a side metal zipper, and rayon gabardine – the classic fabric for a slacks suit.  I started with a 1943 pattern because when the war effort hit the home front in full force, slacks suits began a strong showing in fashion catalogs and shopping magazines.  All I needed to do was make just a few tweaks to make my outfits closer to extant originals that have caught my admiring eye.

I feel so much better about trying to copy a garment when I change up the design according to my own ideas.  Doing so is my way of respecting the original artist that was behind the garment which is my inspiration!  Yet also, I do want to stay true to that self-realization of knowing what will look best for my body shape, height, and proportions.  I want everything that Agent Carter wears, yes – but I also want to like myself in them rather than forcing something which might not be ‘right’ for me.  This is the only way for me to naturally incorporate a bit of Peggy Carter into my everyday wardrobe.  I like to wear my Peggy outfits as something other than a special occasion cosplay item, but to each her own.  This is why I opted for a belted overblouse style to my slacks suit, unlike the way Agent Carter originally wears her set.  Just like her, I dare to be different!

My main 1940s inspiration sources were both color-blocked jackets (with skirts) and extant matching slacks suits as seen through vintage selling sites.  Many of these include burgundy color.  My favorite set is a 40’s “California Sportswear” set made in Hollywood monotone set, sold by FabGabs, which is remarkably close to Agent Carter’s TV one.  Otherwise, I drew heavily from the two-tone “American Spectator” blouse sold at Boswell Vintage.  I made a separate belt and added it to my blouse, then adjusted the look to match my inspiration.  I imitated the front (below the belted waistline) pleats of the blue hound’s-tooth overblouse and the full gathered back of the burgundy “American Spectator” blouse.

The detail of the button going through the middle of the attached belt is everything to me here.  It’s a sharp detail so very much in tune with the tailored 40’s era and complimentary to my waistline, a big plus.  It keeps the general idea of Peggy’s set with – dare I say – better details and a better classic 40’s sportswear air to it.  My blouse is sans faux chest pocket flaps because they struck me as a detail which might only become a fussy distraction.  Combining my smaller frame proportions with the faux belt detail seemed like just enough of a balance although I do feel lost in any outfit that is lacking true pockets!

Matched in both fabric and color, slacks suits were frequently color-blocked – no doubt because each piece would be easy to mix and match separately with other items in a wardrobe.  Like most clothing meant to be an everyday item or at least supremely useful, they do not survive like special occasion clothing, says “The Vintage Traveler” (as in this post here).  She had been highlighting her collection of slacks suits on her Instagram (see these fantastic sets).  The more I see of slacks suits the more I agree with “The Vintage Traveler” and admire how casual did not mean sloppy in vintage style.  Yet, such dressing – women in pants, in particular – has lost its novelty over years.  What was informal for back then now appears quite refined by modern standards, but at the same time what was daring then is now often only thought of as a conservative approach to everyday wardrobe staples.

True instance on many an occasion – my hubby tells me to be casual for running errands and I reach for my vintage sportswear.  Then he says he needs to dress up to match me because I still look so nice!  This slacks suit is my sharpest version yet of 40’s pants based sportswear and has no complaints when I channel Peggy.  Luckily I ordered more burgundy challis material before Uptown Fabric sold out.  My hope is to extend my slacks suit to have a blouse and skirt matching combo at some point in the future.  I love how I can make something killer but still have it versatile and practical at the same time when I sew vintage…especially Peggy Carter…styles.  Now I have something new in my arsenal of creations, another box ticked off – a 1940s slacks suit.

Ready for Another Adventure?

Ah, I can’t help but interrupt my previously planned post for one that highlights Agent Carter…because she’s back!  Well, sort of.  Sadly, it has been confirmed Peggy will be back only in name only for the newest (and last) Season 7 of “Agents of Shield”, despite her romantic interest Agent Sousa being front and center in the most recent episodes.  I’ll admit that I have not been following “Agents of Shield” until now and I do despise the last ditch ideas of time travel which shows too often fall back on at the end of their run.  But if Agent Carter is back for some sort of relevant story continuation (which was cut short by the lack of an expected Season Three of her TV show), I’m here for it by adding more outfits from seasons one and two to my wardrobe and perhaps watching the new show.  I’ll pick up on sewin’ and postin’ more Peggy fashions, starting with recreating the first thing we see her in upon embarking on her new California adventure at the beginning of Season Two, “The Lady in the Lake” episode.  “Are you ready for another adventure, Miss Carter?” said Mr. Jarvis.  Oh how I do love having my own exciting escapades when in Peggy’s shoes!

THE FACTS:

FABRIC:  a Matte Blue 100% Silk Batiste (sorry, but it’s sold out now!) accented my handmade bias tape of Dove White Cotton Sateen, both from Fashion Fabrics Club

PATTERN:  an adapted version of Butterick #6374, originally a year 1944 design, reprinted in 2016

NOTIONS:  I needed nothing extraordinary – just thread, a bit of interfacing, and 3 vintage buttons out of the stash of hubby’s grandmother.

TIME TO COMPLETE:  Not counting the hour or two spent to re-draft the pattern, sewing the blouse took me about 6 hours.  It was finished on June 11, 2020.

THE INSIDES:  French seamed with a bias covered hem

TOTAL COST:  1 ½ yards of the silk and a ½ yard remnant of the sateen cost me a total of just over $30.

First off, yes, I am wearing separates – a blouse and trousers (which are the Marlene pants from Burda Style, posted here) – and yes, my pattern for the top half of my outfit was highly redrafted from a dress pattern.  You did not read the facts above wrongly.  I wanted to start with a vintage pattern, of course, and all the blouse patterns I had on hand were not remotely close to what I wanted.  Yet I did have the 1944 dress pattern which had a similar shawl collar and strong, slightly full, shoulders.  After all, Peggy Carter was known for wearing mid-40s fashions prior to her time out in California in the second season, so the dating would be perfect, too.  I was never a big fan of the original dress, although I might eventually try it in the future, but I bought it anyway a few years back on one of those $1-something sales.  This way I feel like it is not just taking up useless space in my pattern drawers.  It has now actually come in handy, just not in the way initially intended.  I might have a large stash of patterns, but I do not hoard…the patterns I have are cared for gently and often preserved and copied, but they do ‘work’ for their keep here and they are much more than a pretty inspiration!

I first had to trace out the pattern as it was, from hip length up, and then tweak it.  Next, I extended the collar to be wider, especially in the front over the chest, as well as making it roll over itself better.  The back collar was drafted by me to be just wide enough for the edging.  I am so happy to have ended up with a collar which was just what I wanted!  The shoulders and main body are pretty much the same as the original dress, but I added greater wearing ease all over so it would be blousier than the original slim fitting dress.  The back bodice had a dramatic re-drafting because the original dress had princess seams.  I combined the pattern pieces to become one piece, cut on the fold, with two vertical fish-eye darts.  Remember, it really doesn’t take much to change things up dramatically on paper for a sewing pattern…an extra ¼ inch may go a long way.

The semi-sheer batiste needed to be double layered to be an opaque blouse, which was rather hard to pull off on only 1 ½ yards.  This silk is so lightweight and breathable two layers is no big deal, though, once I was able to fit the pattern pieces in.  Silk is the world’s most all-season, easy to wear, and overall beautiful fabric in my opinion.  The listing for this fabric said it was matte finish, but there is still the loveliest shine along every soft fold.  Even a matte silk blend has the same lovely sheen.  Every time I create with silk, I find it is more imperative than other fabrics to use a new needle in my machine, otherwise it create pulls in the fabric as I sew.

Now both the silk and the sateen listings say to dry clean them…bah!  Only in a few exceptions – and vintage acetate is one of them – have I come across a fabric that is not washable.  I wash woolens, silks, rayon, cottons, linens, and of course any man-made (i.e. polyester), as well as any combo of those, and have never come across any unpleasant effects of doing so besides a few wrinkles, which a good ironing can easily remedy.  Even many decorator fabrics can totally be washed, although their first dip in water does shrink them like crazy.  Washing all of these fabrics must be better for them anyway over harsh, unpleasant chemicals of conventional dry cleaning!  When in doubt, I do try and wash a small, snipped off test corner first.  So, don’t be afraid to get your fabrics clean, just do so in the gentlest way possible.  For me, this means either hand-washing, or placing them in a zip-closed laundry bag before machine washing on the delicate cycle.  A cleaner garment means less attraction for hungry bugs that might like to eat them, remember!

I am still thrilled over the lovely novelty of self-made bias tape, as seen in my making of my last project, this multi-use apron/sundress/ jumper thing (posted here).  Especially when your bias tape will take a front and center stage, it is important to have a quality notion.  So I started with a quality fabric to edge this blouse the way I figured it, and I’m so glad I did.  The slightly heavier weight of the decorator’s sateen is perfect for keeping the collar in place and stabilizing the soft silk.  The slight shine on the sateen matches the finish on the silk, too.  The very slight off-white color is a gentler contrast than a pure white.  I just love it when an idea for a garment comes together as good as or even better than I expected!  It’s the best surprise.

This ‘blouse-from-a-dress’ experiment opens up all new doors for my pattern stash, now.  A dress can be tweaked to become a jacket, a vest can have sleeves added to develop a blouse, or a skirt can be reformed into pants when you approach patterns as a fluid tool with great potential to aid in creating anything with your hands.  This is the beauty of sewing.  It is all up to you – the skies the limit!  Anything can be sewn up anyway you like it.

With that said, I want an entire wardrobe of everything Agent Carter has worn in her TV series, and so my sewing creativity in this sphere goes towards personalizing and doing some historical basing of my ‘copies’ of Peggy’s outfits.  “Copying” an existing garment you admire can be every bit as challenging, if not more so, as trying to match your own individual idea.  Sewing is an exciting undertaking in its own way, and even small adventures are important in our times when there is so much wrong about the world today and a pandemic has forced too many of us into an unwelcome isolation.  Stepping into Peggy Carter’s shoes and clothes is my ongoing quest that suits me up with her spirit of independence, personal confidence, sense of equity, and – of course – great fashion taste.  How is sewing your special adventure?

Easter Backup – An Easy Sew, Late 40’s Peplum Blouse

Do you ever listen to that “just in case” voice reasoning inside your head?  Well, maybe I was just needing an excuse to whip up another pretty outfit.  You see, I had started this late 40’s peplum project last year’s end of summer and realized (after I cut this blouse pattern out) that I was running out of warm weather time to make it worth my while to sew. Sigh – each season never lasts long enough for all the plans I have.  Nevertheless, I had a project ready to go, just waiting for a few hours’ commitment and nice weather.  What if I didn’t really need another, second Easter outfit?  Whatever…don’t mind if I do.

Now, as my title alludes to, the peplum blouse is the only item I am featuring in this post.  The skirt is something I did make myself, but it has already been blogged about here as it was the bottom half of my 1946 Agent Carter suit set.  It was basically the same pattern as the skirt in with my peplum blouse pattern and this brown one was a great fill-in because it happily matches!  My wide platter hat (definitively bringing this into the late 40’s Dior era), my purse, and gloves are all true vintage items, with my earrings in particular from my Grandma’s old jewelry box.  My fabulous shoes (if I do say so myself) are Miz Mooz brand.

THE FACTS:

FABRIC:  an all-cotton pink printed floral, lined partially in a polyester anti-cling lining

PATTERN:  Simplicity #8463, a year 2017 reprint of a 1947 pattern (originally Simplicity #1928)

NOTIONS NEEDED:  basic stuff here – a little interfacing, a zipper, and thread

TIME TO COMPLETE:  This came together in the blink of an eye.  It took about 6 hours and was finished on March 30, 2019.

TOTAL COST:  The blouse only took just over 2 yards and I used a remnant of lining (free in my stash) so with the zipper (the cotton being about $5 a yard) my total is only $15.

If you have been following my blog, you may have noticed I have had a renewed fascination with the late post-war 40’s since about 8 months ago.  Anything between 1946 and 1949 has frequently been blogged about here lately.  What has also been going on in the background for me since then, is a new fascination for peplums, as well.  I mean I’ve had an interest in peplums so bad it has been almost like an addiction.  Don’t worry – it’s under control now, after a couple vintage dress purchases later, ha!  However, when it came to sewing something that would relieve my ‘fix’ this 1947 Simplicity re-issue was one that of course had to pop up as it ticks both post-war and peplum boxes.

Now, what makes a peplum?  According to the basic google dictionary definition, it is a “a short flared, gathered, or pleated strip of fabric attached at the waist of a woman’s jacket, dress, or blouse to create a hanging frill or flounce“.  However, I find the technical use of it much broader than that.  Especially in vintage fashion – particularly in the post-war 40’s when fashion styles were easing out of rationing into the full-skirted, sumptuous 50’s silhouette – a peplum was frequently only a small detail that emphasizes the hips by evocation (much like this 1949 dress I have made).  It doesn’t always have to be as obvious as the blouse in this post.  What matters is the prominence a peplum places on the hip line.  A peplum achieves that through excess fabric artfully added in the area between the waist and the upper thigh.  That – pure and simple – is a peplum.

I did change the pattern slightly.  I wanted to taper the back half of the peplum into a slightly lower hem with a point at the center because I don’t have anything like that.  Possessing so many different peplums now, I guess I’m starting to become picky!  I also took or just two inches out of the peplum gathers coming into the waistband.  Other than these two customizations, I made the rest of the pattern as designed and didn’t even need to adjust the sizing, which I found spot on.

Yet, there was something I added to help the peplum hang better.  Ideally, this blouse should be made out of something draping or flowing, and that wasn’t this cotton…but that wasn’t going to stop me!  I cut and extra double of the peplum out of my lining to go underneath.  This way it slides over whatever skirt I wear under this top (because it does also match with about two other skirts, anyway).  Another layer, no matter how lightweight, adds a little more heftiness to the peplum helping it hang straight, also making the formerly ugly wrong side so pretty and cleanly hemmed now.  Lining a peplum is definitely the way to go when sewing such a style.

Most of the times I ditch fiddly facings in lieu of bias edging or full lining but I kept them here.  This blouse has cut-on sleeves – kimono shoulders with a cap (as it’s called) look – which dip very low.  This style is very comfy for me with my larger upper arms and give a soft shoulder widening emphasis.  Such an arm opening also makes however you finish the sleeve edges visible…why I stuck with the self-fabric facings.

I love the bust shaping on this top.  This is not the first time I have experienced such drafting.  It is also on my 1951 dark purple slip (posted here).  For this 40’s blouse, though, there is more dramatic shaping, not for any flat chested or very small busted woman.  I didn’t change the neckline depth, and find it a nice in between – not showing cleavage yet prettily open enough for showcasing a necklace.  My little simple single diamond is something I am happy to show off, anyway.  It is quite special to me.  I received it as gift for a special occasion when I was about eight.  So much of my outfits are tied up with memories…

Before Easter is yet another distant memory for this year and summer is upon us, I just wanted to share my other very spring photos of my latest make.  I realize I have been posting so many 1940s creations here as of late and I will share more variety soon, I promise!  If you are on Instagram, I hope to be posting on that platform more of my true vintage original peplum dresses that I have acquired.

Do you have a particular style of peplum that especially appeals to you?  Have you not tried peplums yet?  Is it just me or does my 40’s purse somehow look like an Easter basket?  Let me know – I love comments!