A dictionary definition says there are two sides to my title word. It is defined as “bubbles in a liquid; fizz” or “the lively quality of vivacity and enthusiasm”. Well, the word also happens to be the name for my dress’ fabric print…and it is every bit as lively as its name.
I am pleased it is also a play on the two Pantone colors for 2021 – “Ultimate Gray” and “Illuminating” (bright yellow) – in a manner as trippy as a psychedelic Ishihara eye test. This works perfectly for the decade of the 60’s. I had to oblige my inspiration by using a vintage pattern to make this dress a reality soon than later. I need the mood boost this color combo promises! Pantone explains it thus, “”Illuminating” is a bright and cheerful yellow sparkling with vivacity, a warming shade imbued with solar power. “Ultimate Gray” is emblematic of solid and dependable elements which are everlasting and provide a firm foundation.” Such a summary makes my dress sound like a grounded, tangible interpretation of effervescence to me, and I like the sound of that! Add in a dash of turquoise – just about my favorite color – and I am a happy girl.
NOTIONS: Lots of thread, one 22” zipper, and some bias tape
TIME TO COMPLETE: This dress would have been even quicker to sew if I hadn’t had fitting problems…as it was this was a reasonable 5 hours to finish. It was done on June 18, 2021 and ready to go with me for a weekend getaway!
THE INSIDES: cleanly bias bound
TOTAL COST: For 1 ½ yards at 45” width my total price was $18. My fabric was bought from “Bits & Pieces” shop on Main Street in downtown Hannibal, Mo. I highly recommend their shop – it has high quality offerings at reasonable prices and excellent service!!
This is yet another experiment with a border print fabric. This time I had the border run up starting from along the bodice waistline. With this layout the border ends with its vertical stripes across the bust line. The remaining overall print is used for the skirt as the border runs along just one selvedge. I have seen this layout in mostly 1950s era dresses, and I feel that a pattern from the very early 60’s wouldn’t be too far of a stretch. The perks to such a use of a border print is that it visually slims down the hips by overly emphasizing the bust and shoulders. Granted, this dress has a full skirt that sort of negates that benefit, yet I did greatly pare down the gathers from the original design in my own version. This was equally due to being short of fabric as it was because I wanted the skirt more manageable. I only bought 1 ½ yards of material because I originally planned on making a blouse. Soon however, a better idea presented itself, as you can see. I’m glad I chose to sew this up as a fun, simple frock.
I think the crazy print and the fact this is above my knee in length, as well as sleeveless, helps this dress has a slight 60’s air. Yet, the classic bodice and the gathered skirt, even if it isn’t very full, helps this dress be a call-back to the 50’s decade. I wanted this to be an example of what the fashion of the early 60’s was…a thorough mix of both decades. Styles didn’t change overnight. What we think of being the stereotype fashion for a decade in the 19-something era is often a fad that came later on at the end of those 10 years. The mod youth fashion of the 60’s wasn’t a widely adopted style until after ‘65. Before then, there were a lot of deceptively 50’s looks.
Let the ‘vintage’ labelling be darned here, nevertheless, because the bodice is pretty close to having design lines of a basic two dart bodice block, also called a sloper, and the skirt is self-drafted by me to accommodate my lack of yardage. Thus, I truly don’t know how 1962 it is on paper at this point. It’s all about the styling here I suppose. I almost always have a vintage influence in my choice of accessories and the way I fix my hair, so there’s that. I do love how versatile this dress is – it can be vintage looking or not as I choose. Either way, it’s a comfortable, sensible dress that will work for several seasons, too. Adding a grey blazer, fun tights, and booties might creatively make this dress work into the cooler temperatures of fall or spring.
For being so basic, though, the bodice of this retro re-issue fits horribly. For me, the torso length was very tall (long), the bust points were high on the chest, the shoulders were generously tall, and the armscye openings were very tight and restrictive. I needed to do lots of tweaking and try-ons, including cutting several inches off of the waistline length, which only made me crabby such a “simple-to-make” dress wasn’t living up to its promise. Yet, if you do the work at the pattern stage to perfect this bodice to your measurements this would be good shortcut to having your own sloper bodice block to use to future self-drafting.
This is a fussy pattern, but once I found the original to the reprint, I feel comfortable surmising the reason why. Simplicity #3782 was originally a teenage and junior’s proportioned design. I’m wondering if in re-sizing it up to adult woman proportions, they drafted it badly and threw the fit completely off. How Simplicity allowed this to be printed this way is disappointing and beyond me. What about standard sizing and quality control? In whatever way it happened, something is wrong with the new #8591, and I might not be coming back to use this re-print again. If you do try it, make sure to be prepared for some fitting frustrations along the way to completion.
In all else, though, I love how this turned out. I achieved a very good zipper insertion despite doing it by machine, bias bindings were much simpler than facings, and self-drafting skirts is such a joy for me. The circumference of my skirt hem is the whole of the 1 ½ yard stretch of material and I took advantage of the other selvedge to avoid having to sew a hem. From the waist down, my skirt is about 22” because the border at the other selvedge edge went towards the bodice. As I my fabric was originally 45” width and I had to use extra inches along the border to match the stripes, this shorter-for-the-50’s-style skirt was all I could eke out…but I like it, after all as I said.
A fully gathered skirt would not work I knew, yet at first I gathered only the sides over the hips. This did not look right – it was much too poufy. I unpicked the gathers and made a few 3” long half inch wide tapered darts on each side to ease out the total at the waist without taking any out of the hips. This way I get a lovely bell shape to the skirt and an appearance of fullness to the small yard plus bonus length around. Ah, isn’t the best part of sewing the way you can make the most out of what little material you may have?!?
I keep surprising myself at the amount of dresses I can make out of just over a yard. This one has a full skirt to boot, though! It was a happy last minute creation that was whipped together so it could have its grand promenade on a trip out of town. Memphis, Tennessee was hot as blazes that day, but I was staying cool and looking good. What is there not to be ecstatic over here? I would say the print is very aptly an energetic word of life and activity the way my dress finally turned out, but then again most all of my handmade wardrobe gives be that happy confidence as well as this one.
Have you specifically tried to wear the two Pantone colors for 2021, separately or together? What do you see in my dress’ print – bubbles in a fizzy drink or a color test for your eyes? Do you believe along with me that there is a special “effervescence” which exudes from someone who wears something handmade?