I am truly infatuated with shorts-inclusive vintage play sets this year! After my 1940s set a few years back (see it here), and then the 50’s (posted here) and 80’s (previously posted here) sets from this 2019, I’ve now also rounded out things by whipping up a 1960s sun suit, as well!
This set is a special oddity in my sewing – its pattern is a little known “Le-Roy” brand printed by the Associated British Paper Patterns Company out of Bletchley. (I am rather confused by an English pattern having a French name, though!) This is only the second English pattern I have used (first one here) and certainly the only one of the brand I have in my stash…but then again I haven’t seen many of Le-Roy designs for sale either. I picked this one up on a whim for a steal of a price years back and I’m so glad I did. I definitely want to come back to this pattern in the future and make the tunic length overblouse, too.
Unfortunately, the rarity of the brand makes it hard to date precisely, but the trend for this type of set and the styling on the envelope is the key. My estimate for this is that it is possibly as early as 1964 yet no later than 1968. Why do I believe this? The famous actress Audrey Hepburn wore a very similar two piece sun set in the British 1967 movie “Two for the Road” We all know how fashion likes to follow what is seen on the stars and starlets of the silver screen! Yet, my Simplicity brand calendar of vintage pattern cover images has an almost exact two piece summer outfit labelled as the year 1964 on the page for August 2019.
So my visual proof gave me a 5 year range, and I channeled it by using the print that I did. After all, if you just had the line drawing to reference, this play set is not all too different from a two piece summer set from the 40’s or the 50’s (scroll through this Pinterest board of mine to see). Thus, I felt I needed the material to be the visibly identifying factor (besides the close fit) to testify to its publishing date from very modern-looking 60’s era. As luck would have it, the FDIM museum (in Los Angeles, California)recently shared through their Friday “Unboxing” videos on Instagram a designer Emilio Pucci blouse from 1967 with a geometric, two-color green print over a white background. Seeing that reminded me so much of the leftovers to some modern designer pants I made a while back. I just had to make what I feel is a perfectly Mod era outfit for a British style summer! I’ve made so many dresses from the 60’s era this is such a fun kind of a change!
These two pieces were an under-one-yard, scrap-busting project that also now gives me full outfit options to some pants I made years back from the same material. There is nothing quite like matching mix-and-match separates to make me feel like I am both ready for a trip and completely up to rocking this summer! This is what optimizing one’s fabric stash looks like. The ¾ yard leftovers from these Odeeh designer Burda Style pants were just enough to squeeze in these little pre-70’s short shorts and a crop top reminiscent of a vintage-style sports bra.
FABRIC: 100% cotton duck cloth for the printed portion of the set, a 100% satin finish Pima cotton for the solid contrast, and a bleached cotton muslin for the lining material to each piece
PATTERN: a mid to late 60’s LeRoy #3195
NOTIONS: I had to custom order the little 6 inch separating sports zipper for the crop top, but otherwise I had all the thread and interfacing I needed. The shorts have a true vintage metal zipper, painted in a lime green, also from on hand out of the notions stash in the drawers of my 1960 Necchi sewing machine cabinet. I figured it was probably era appropriate!
TIME TO COMPLETE: The hand-stitched zipper took an hour and a half to sew in itself, but the overall two pieces were finished on July 12, 2019 in 15 to 20 hours.
THE INSIDES: all covered up by full lining
TOTAL COST: Next to nothing! As I was using scraps from another project that was made several years back this is pretty much free in my mind, excepting the $8 zipper.
This was easy in theory to make. The tricky part was nailing the fitting. The underbust seam had to be snug enough to stay down but not tight like a bra. I did not want the shorts to look like any other ill-fitting RTW item I have tried and left behind. A quick tissue fit revealed this was pretty much spot on my size, but when working with a new pattern company and aiming for a very tailored fit I always give myself some extra room in seam allowance. Technically this should have been a bit large for me going by their size chart, so I’m assuming either the company’s designs or merely this particular one ran small. In a few places – such as over my hips – I had to bring the seam allowance out to only ¼ inch so I am so thankful I gave myself some wiggle room when I cut. That was not an easy thing to do.
I might have made this set on ¾ yard, but with the extra room I added when cutting, every piece ended up touching the other. This is always a bit unnerving because there is absolutely no room for error and I have to think of everything. I do not encourage this. When it does work out, however, such an economical pattern and fabric layout is the source of both relief and self-amazement, not to mention the euphoric happiness great stash-busting can bestow!
Contrasting the shorts hem and top neckline with a solid was sort of a semi-stash busting effort, as well. It all started with some satin-finish Pima fabric bought for – but no longer needed – as a lining under a sheer silk. It has now been tentatively slated to be pleated 40’s era shorts in the future. The edges of the cut length were sacrificed as part of an experiment before committing to a whole garment in such a color. You see, I have never really been a fan of chartreuse, but I know it seems quite popular and a sought after color amongst vintage enthusiasts. I do like myself in yellow and in green individually, but both combined in one shade is something that makes my skin look sickly. However, I know never to say never! Using a bit of chartreuse as the contrast “edging” for these two pieces was a good trial to see how if the color in small amounts is more tolerable…and I do believe it is! Anything in a satin Pima cotton will be beautiful, though. The true shade on the end of the bolt in the store was marked as “pistachio” but as it is darker and more yellowed than the lime green in the print, I see it as a chartreuse in person, not captured by the pictures.
The design itself was very basic. Yet, between a good handful of darts on both the shorts and the crop top as well as fantastic real-life curves tailored into the seams I think such a simple little set ends up with a great fit I really never expected. I like the way there was a lack of a waistband yet the shorts still hug my true waist. The way the wide U-shaped neckline really squares up my shoulders and frames the face…and is easy to dress into with the front zipper! Cotton duck can be rough and aggravating on the skin and the background of the print is white after all, so even though the instructions tell me to make a full lining I would have done so anyway.
I feel happy and confident in this play set in just the way I had dreamed of and only half-hoped for. My squishy midsection makes me feel naked when I think about what I am wearing and become self-conscious. My bigger booty and power hips and thighs have always made me self-conscious, too, in close fit bottoms, even more so in shorts. That, combined with the fact I have never really found a pair of close fitting bifurcated bottoms – short or long – that could fit me, have made me shy away from such a thing in the mistaken belief they would not work for me.
Well, this is why I sew. I am able to make what I want to wear and do so in a way that actually fits me and compliments me. After a sewing a few skinny jeans that I love (posted here and here), this set was an opportunity to redeem something I never supposed I could or would wear and enjoy. I believe fashion should be glorious fun, thoughtfully interesting, and individually personalized if anyone is going to feel truly comfortable in it. It has to be an extension of oneself. Achieving such a sweet spot with certain items that people are unsure about from the beginning – whether it’s someone who doesn’t like skirts or (like me) with a play set such as this – and ending up totally won over enough to feel as if you suddenly have a new type of garment that you can love your body in…that is when fashion helps you be your best self. I am showing more skin than I am normally comfortable doing, but between my maker’s pride, the fun colors, the curious oddity of the fashion, and the joy of something new, I love myself in this Mod British summer sun suit!