Bar Code

One of the most interesting and unexpected observations from a child about my sewing was that I don’t have company labels, care instructions, or check out tags on my handmade clothes.  No, I don’t.  Yet, this time, I do have a bar code to label me…well, kind of.  This top may have a bar code, yet it is not for sale and there will not be another quite like it in the world.  I did not go to a store to get what I needed when I came up with the idea for it…I shopped downstairs in my stash.  I have no bars holding me back, and no code to dominate what I wear.  This top is me silently laughing at fast fashion – I don’t need you, cheap ready-to-wear.  I can do better.

This scrap-busting little summer top project blatantly speaks for my lack of conventionality when it comes to what it is that I wear, while my background mural of St. Louis, Missouri speaks for my hometown pride!  Together, this outfit is the modern “me”, the side of my life which occasionally does not wear vintage, that is.  It is the late 90’s punky-style teen still inside me that still loves to sing loudly to Avril Lavigne while driving around town.  Besides, I needed an edgy monotone black-and-white outfit to see the new Disney live-action “Cruella” movie, after all!   

THE FACTS:

FABRIC:  one printed cotton quilting “fat quarter”, picked up many years back from a JoAnn Fabrics store, and satin scraps leftover from this Burda skirt project, made years back now (posted here).

PATTERN:  an adapted version of the Burda Style “Cropped T-Shirt” pattern #103, from the March 2016 magazine

TIME TO COMPLETE:  This was whipped up in the matter of 2 hours on March 30, 2016.

THE INSIDES:  cleanly bias bound on all edges and facings

TOTAL COST:  The satin and rings were leftovers on hand, which I’m counting as free, and the quilting square was bought on sale so many years ago I no longer remember.  My total here is probably almost nothing!!!

I made the necklace myself, as well!

I was literally just making this idea work.  That’s okay, though, because I felt like being inventive for that day and just went along with all the setbacks I faced.  For example, I didn’t have a piece of satin wide enough to have a conventional center back seam, much less a pleat, so I figured the rear of the top would have to be open…”but make it a stylistic element” I thought.  I added metal rings, found off of my husband’s work table downstairs, to connect the two edges.  The fat quarter wasn’t big enough for a whole front piece either, so I added little satin shoulder extensions (drafted off of the pattern) to end up with a complete panel.  This way the print is primarily front and center to my top and the satin is visible from more than just a back view.  I like my top better for all the changes I was forced into because of my fabric choices.  If you have an oopsie appear purposeful, it becomes an artistic pattern adaption! 

Crop tops are fun for me to wear anyway, but this one is more so the way you can tie the longer back extensions up or leave them down like tuxedo tails.  I am surprised the pattern never showed or even suggested this wearing option!  Either way, tying the back tails helps keep this crop top down in place on me.  As I found out after its first time being worn, the lightweight fabrics I used are too insubstantial for a loose fitting pullover crop top, like this.  It has the tendency to not stay down in place.  Luckily the heavy metal rings weigh it down somewhat from behind.  Otherwise, I could see this top creeping up on me.  Lesson learned – do not make a crop top in the lightest fabrics on the market unless you don’t mind if it flies up to arm level.  Luckily, the combo of both the rings in the open back and tying up the back tails helps this project to be wearable in the end.

I can actually wear this over a long sleeved black tee in the winter, so this is more than just a one season piece happily.  Inside during the summer, when places have their air conditioning on “deep freeze” setting I like to have my faux leather moto jacket as a fun, modern cover-up.  To wear this to see the “Cruella” movie, I actually paired it with an oversized 1930s red beaded necklace, nice red flats, and a black skirt, and the top almost looked dressy!  In these pictures I am wearing it with another Burda Style pattern, the pants portion to a designer jumpsuit (posted here).  This little crop top has become more versatile than I imagined when I was originally sewing it together.  What I make for myself always gets worn to some degree, I make sure of that.  Anything that usefully whittles down my scrap pile is good in my book, anyway.  Yet, I love surprises where something that seemed fun and useful to plan at the moment ends up a wardrobe favorite.   

At this point, I almost need a whole section of my blog highlighting my scrap-busting projects…I have so many!  This one was one of those projects that has been slipping under the radar of my blog, being worn frequently but seemingly insignificant enough to post.  This summer has been so busy, I feel badly for not posting here as much as I would like, and certainly not frequently enough to keep up with what I am sewing in real time, but it gives me the opportunity to easily share simple little creations like this one.  I hope, like me, your sewing creativity is still going just as fervent and fulfilling, and this season is also finding you happy and healthy! 

P.S. If you want to discuss the new live-action Disney “Cruella” movie, share what you thought of it, or just find out more of my opinion, leave me a comment and let’s get talking!!  I found it really good, and well done, but with reservations over some confusing technicalities that do not match up.  I’d be happy to chat about it! 

Roughing It!

I am the latest and greatest fan of the American west.  My recent trip last month to Nevada, then the drive to and from Los Angeles, has opened my eyes to a whole new environment I’ve never experienced before.  I – of course – have watched the “Wild West” in classic films and such, yet the great expanses out there are best appreciated in person, I can attest.  My casual and active wear wardrobe is always lacking and so I whipped up a cozy pullover sweater in preparation for the day I planned on going hiking. It was perfect to wear for the occasion… it adds to my experiences to have a memorable handmade item for wearing when I do equally memorable events!  Most importantly, though, was the lovely time in the sunshine, the beautiful atmosphere, and the company I had visiting with my friend!

For most of my pictures, my top will be partially covered by my overalls.  Hiking through the breathtaking Red Rock Canyon – where everything is prickly, rocky, rough and dusty – required something sturdy, sensible, and secure.  Heck with fashion photography this time, here is what I sew, being seen exactly how I enjoy it.  Thus I paired my self-made creation with Hell Bunny brand heavy cotton denim, vintage-inspired overalls (“Elly May Denim Dungaree”) for a sort of ‘Rosie the riveter’ flair with a modern, utilitarian aesthetic.  I guess vintage fashion is so ingrained in my life that I cannot help but take a pattern from today and merge it into my lifestyle’s flair for the styles of the past.

On my way down to Las Vegas, I paired my pullover with my Burda Style 1930s style Marlene trousers (posted here) for yet other variant of the whole vintage-made-modern thing I like to do, consciously or not. At the airport, my son did not want to see me leave him behind with daddy!  He’s mommy’s boy…at least for now!

THE FACTS:

FABRIC:  a one yard polyester knit remnant – it has a wonderful brushed outside which makes it appear like a sweater, yet there is a smooth knit, plain white inside

PATTERN:  Seamwork’s “Astoria” pullover

NOTIONS:  Nothing but thread!

TIME TO COMPLETE:  This pullover was made in one evening as a last minute project before leaving – in under 2 hours I had this top done on February 2, 2020.

THE INSIDES:  as this knit does not ravel and needs room to stretch, the inside edges are left raw.

TOTAL COST:  As the fabric was picked up at a rummage sale where all the sewing supplies are $1 a pound – and this lofty knit weighs practically nothing – this can be counted as good as free!

I am such a fan of the Astoria pattern on many accounts.  I love the shaping of the design, it has a figure-complimenting, high-waisted seaming, it only needs one yard, is super quick to make, and easy to sew together.  Except for the bother of printing out and taping together the PDF pattern, I truly felt like I blinked and it was done.  Isn’t there more that needs to be done, I kept asking?  Apparently, I am not used to such successful 3 hours or less sewing projects.  I figured it had to be a winner purely on account of the over 1,000 cute versions of it shared on Instagram alone!

Luckily, I read through many of the shared posts about others Astoria sweaters, and noticed the frequent mention that the sizing ran small, especially when it came to the sleeves.  My chosen knit barely had the recommended minimum of 25% stretch for I figured that fitting trend could cause an issue.  This was my true first Seamwork pattern (not exactly counting this sundress because, although it came from Seamwork, it is a Colette brand pattern) and so I had no idea what sizing to go by besides their chart.  Just to be safe, I went up a whole size than what their chart showed I should be making.  Now – even though my Astoria pullover does fit me, only in a snug fashion – I wish I had went up yet another whole size still.  I don’t know if this fit applies to all Seamwork patterns or just this Astoria, but it is easier to err on the side of caution for next time I try their designs and cut a generous size.

Please look closely and take a moment to appreciate the plaid matching I was able to achieve on an only one yard limitation!  This was not an easy to match, repeating print, either.  No matter how simple or quick and easy of a project I may be working on, I always make sure to do a really good job.  Among other reasons like personal satisfaction, a job well done gives me a reason to feel that my time is worthwhile enough to spend sewing versus buying something ready-to-wear.  (Most of the time RTW doesn’t offer anything close to what I have in mind to wear, so never mind!)  The wide, hem panel matches as well as the entire side seams into the sleeves.  Every little sewing victory deserves to be celebrated!

I realize it may seem frivolous to many to be focused on fashion and not dire events at hand happening in our world today, especially when it comes to travel.  However, in order to get through tough times, we need to find whatever helps us stay whole.  I am not the best version of myself being cooped up.  The memories of just last month – when I was free to travel out in the sun, fresh air, and open land, seeing new sights and going out of my comfort zone to visit someone I care about – needs to be refreshed for me.  Hopefully this post and its pictures provide a moment of respite for you, too, especially if you find yourself living vicariously through social media and telephone calls these days!  Oh, the great wide world out there might feel scary right now, but it is beautiful and it is calling for you to enjoy it!  Maybe don’t explore too ambitiously right this moment or in the next several weeks, but make sure to not grow content with the grind or stop seeing with your own eyes the real world outside of a digital screen.

I recently came across a quote from Travis Rice, as shared by the “Kind Humans Movement”, which strikes me as very relatable to both my post as well as today.  “Our lives have become digital.  Our friends, now virtual.  And, anything you could ever wanna know is just a click away.  Experiencing the world through second-hand information is not enough.  If we want authenticity we have to initiate it.  We will never now our full potential until we push ourselves to find it. It’s this self-discovery that inevitably takes us to the wildest places on earth.”  My thoughts exactly.