Casual Toffee and Wine

This sounds great for a nice evening, doesn’t it?!  I do like a good dark vintage…unless it’s on the dry side.  Then I reach for the paler tones.  I also seem to prefer a nice burgundy to over a bold red.  Oh wait – I am distracted.  Is this post about a good dessert and what vino I like to sip?  Or about what colors I prefer to wear in different seasons?  Well, both kind of – but I’ll pick the latter and make this about a wonderful wearable garment version of toffee and wine which I have made.

Sometimes I tire of wearing all the bright whites and pretty pastel colors during summer.  It feels good to mellow out for a change with a combo of muted earth and rich jewel tones such as this outfit.  Maybe I’m just trying to jump start myself into fall (when I usually wear such darker colors), or maybe I’m just being contrary.  I don’t know.  What I do know is that everything about this outfit feels good to me – from the cooling colors, to the texture and soft touch of the fabrics I used (rayon knits), to the easy relaxed fit, which actually makes me think I’m wearing Saturday sweats but looks like a nice weekday ‘going out’ set!  These two pieces are up there as my favorite Burda makes, and I think will be among my most versatile.

To make this set even more appealing and enjoyable, it came together in a ridiculously small amount of time.  Do you have a few hours on hand and a few small cuts of fabric?  In that amount of time I whipped up this set so I can spend many hours to come enjoying the newest separates that I have made for my wardrobe from some random but lovely fabric I bought with no clear project in mind.  Yes, you can have fashionable trousers that don’t require a zipper fly and need less than two yards of material.  Yes, you can have a top that only has two major seams, and with only one yard of fabric look like a million.  I’m sorry to advertise for these two patterns so much but I am really sold here.  I’m so won over that in fact I’m tempted to whip up a few more pants and tops from these patterns, trying out new material and color choices.  After all, these won’t take up that much time or fabric!  I will definitely be on default reaching to wear these more often than not.

THE FACTS:

FABRICS:  A striped rayon knit for the top, and a rayon/polyester blend Ponte Roma knit for the pants.  A scrap of burgundy colored cling-free polyester lining was used for the inner pants pockets and top neckline facing.

PATTERNS:  the “Shirt with Bat Sleeves” pattern #123A from April 2015 (also listed as “Boxy Top” #123B, also from April 2015) and the “Flounce Bottom Pants” pattern #117 from February 2018

NOTIONS:  Nothing special was needed – just matching threads, a bit of interfacing, and a handful of snaps and a waistband hook-and-eye

TIME TO COMPLETE:  The top was made in two hours and the pants were made in about 4 hours.  Both were finished in the middle of June 2018.

THE INSIDES:  The fabrics for both pieces do not have edges that ravel, so they are left loose and raw inside so they can stretch better anyway.

TOTAL COST:  Both fabrics were bought very recently from “Stylish Fabrics” on Etsy (the Ponte Roma can be bought here, while the striped rayon knit is here) so the whole outfit cost me just under $20.

Perhaps you can see since I used the line drawing from the magazine instructions, but the top has the sleeves ‘built into’ the front so that the raglan seam in front is the only stitching line besides the side seams (and small bust darts).  The back wraps over to the front.  I was certainly glad for minimal seams with such a delicate fabric as rayon knit is, especially a ribbed version!  ‘Chic’, to me, is effortless, amazing details that are low key but there to notice all the while.  That is this top!  Yet, it feels like a Saturday tee shirt to wear.

At first, the pants were something that I wasn’t sure if they would even work for me, as I have heard that shorter people don’t tend to work well with cropped hems if you want a silhouette that doesn’t take visual inches off your height.  I just kept coming back to considering them, however, being intrigued by them, and I think the wide hem with its interesting detailing saves them for me.  These should work for year-round wearing, as the shorter length should show off my boots that have interesting ankle decoration!  I mostly love the fact that the “fly” front is different, interesting, and especially zipperless, as I had mentioned.  I can deal with sewing on a few hooks and snaps, instead…no problem!  The left side has a ‘normal’ centered front placket, but then the right side has a folded over section which extends over to the pleat on the other side of the waist.  I might come back and put a snap in the asymmetric front fly just for complete confidence, but it really doesn’t open up so I’ve taken the easy road so far and just have closures on the waistband.

Now, as for any Burda Style pattern, printing and/or tracing is necessary to have a usable pattern to lay on your desired fabric.  My patterns were traced from the inserts in the magazine issue, but they are also available online as a downloaded PDF that needs to be printed out and assembled together.  What works best for me is to use a roll of thin, see-through medical paper to trace your pieces out.  It’s at this preliminary step that you pick out your proper size.  Some people add in your choice of seam allowance width directly to the pattern while some as they are cutting out the fabric pieces.  A scissor with a magnetic ruler guide helps immensely to quicken along the step to getting a finished pattern prepped.  Sorry to repeat something you might already know, but this is just an “FYI” for those that don’t.

Both patterns are rather straightforward and not too challenging to understand once you get into making them.  However, the wide pattern pieces are a bit deceiving.  The pants were an amazing fabric space-saver because they are divided up (with the wide cuffs) and cropped a shorter length than full pants.  They were also almost entirely laid out on the straight grain.  I only used 1 5/8 yards to have make these, leaving me with another 1 ½ yards leftover to make something else yet – yay!  Of course I did shorten them because the sizing chart is designed for a woman 2 inches taller than me, so I took that much out of the body (leg) of the pants pattern.  With the blouse it was a bit trickier to lay out on the fabric and adapt the design.  In order to have the stripes miter into the seam I had to cut the front body with the fabric folded selvedge to selvedge, then open up and refold.  The back/sleeve piece was long and unusual.  It was cut with the fabric opened up and folded oppositely from the front to have the long, whole 60 inch width be the perfect, exact length for the hem end to front sleeve seam for my chosen size 34.  Of course this layout was only really possible because on the pattern I shortened the top’s hem by a few inches and turned the sleeves into a short length.  Any other size bigger or longer length sleeve would need about 1 ½ or maybe even 2 yards of fabric, then.

Sizing was really predictable and good for both patterns, too.  With these pants, I cut in between sizes 36 and 40 to play it safe.  For my black divided jumpsuit I sized down and they felt slightly snug while my navy Marlene trousers were kind of big going a size up.  Going in between might be a bit unorthodox to many sewists but is perfect for me – apparently the sizing chart doesn’t lie.  For the top, I wanted a closer fit and saw how roomy it appeared to run.  It kind of has to be boxy and oversized when making it with a woven, because there is no closure of any kind – this is a pop-over top.  However, as I wanted a closer fit and I was using a stretchy knit, I went a size down.  Even still, I had to take the top in about 2 more inches on each side seam to get the still comfortably loose fit you see on my top.

The shirt’s facing is still non-stretchy (interfaced polyester lining) because something needs to support and keep the wonderful neckline shape in place!  The neckline of my top turned out like a slanted-in square just like how I see the line drawing showing.  However, the model’s garment in the picture looks to be more of a true square neckline.  I like my top’s shaping better.  I did cut off the self-facing to the center front panel and tape it in place to the curving facing for the rest of the neck so I ended up with one single piece.  The facing does end up with a center front seam, but this way I knew I was getting the right shape for my super shifty fabric, and no extra seam in the corners made things simpler.  I’m all about the K.I.S.S. principle (keep it simple, stupid!).

Talking about making things simple, I did leave the pants cuffs unhemmed and raw, so they end up a bit longer than planned, but it makes things easier for me and helps the pants looks better.  I had managed to have no visible stitching on the rest of the pants, doing hand-picked stitching all along the waistband.  I didn’t want to have to do more of that.  Besides, I sense that a hem to the cuff flares would give them undue stiffness, and not have them hang so softly as they do for my version.  Not too many fabrics can hold up to leaving a raw edge on a trouser hem like Ponte Roma can, though!

I only have a few caveats to these two patterns, and don’t take them to heart.  I’ll warn you that these really have to do with my harsh pickiness with achieving the impossible – perfection – with what I make as well as my fabric choices.  First, with the pants, I feel like the loose and poufy asymmetric front doesn’t do the best illusionary complimenting for my tummy.  I self-consciously think I look fatter in these.  I need the “Whatever!” attitude that my hubby has to that thought of mine.  Also, the Ponte Roma makes sure that any panty line and any hem of whatever top I tuck in to my pants shows through from behind over the booty.  Oh well!  For the top, the neckline just makes it over my head.  It’s rather funny because it gets caught on my nose.  Most of the time this is a bother because I often fix my hair before I get dressed.  Making the neckline more open even just ½ inch wider all around would I think help this little hang-up without changing the look very much.  Next time!

Somehow, I was discreetly riding off of some vintage inspiration (no big surprise) for how I styled my outfit, but mostly for how to change up the air of the boxy top into something relaxed and shapely.  You see, there is an old sewing pattern from the year 1935 for an easy one-yard striped top, and I could swear is the same as this Burda Style pattern.  The back is again one piece with the sleeves, which similarly wrap around to the front for a raglan seam.  Again, they use stripes which miter into the raglan seam.  Who would have guessed?!  I only found this cover image due to some random vintage sewing pattern searching and my weirdly sharp photographic memory.  It’s amazing to see how a whole new setting can change the way we see a garment design.  This might explain why I felt confident in softening the “Boxy Top” pattern so something very opposite of its name, and why I went and shortened the sleeves. Thus, my goal was to aim for a slightly modern 30’s influence, with the wide legged trousers which I made, the long necklace, the faux bobbed hair, an old 1960s era Biba Art Deco scarf at the waist, and vintage influenced Re-Mix brand sandals.

Even for my most modern outfits, vintage accessories or at least past inspiration can be found imbedded in there somewhere.  I don’t think that the same situation is that far off for many couture and designer offerings today, as well.  Personal interpretation of past fashion is the glory of what we have today, especially for those of us who sew.  Individual expression in what we wear will be the saving grace from the enslavement of boring, unfitted fast fashions.

So – if my normal fall season colors sound good in the middle of summer…I’m doing it.  If I can’t make a modern outfit without looking for where it originated, all the better.  Knowledge is power.  The desire for self-expression is strong and the world of today offers many avenues for that, but the silent yet deafening message of fashion is still so underrated today, in my opinion.  This outfit only needed a few hours of my time and few yards of fabric to send my newest message of current inspiration and personal tastes.  I’ll go mellow out to some wine now.  Anyone up for dessert?

My “Naomi” Dress

Many times when I want to try something experimental in my fashion, I like to start with something I’m not as completely invested in as a sewn ‘from-scratch’ garment.  Therefore, if I don’t find something unwanted from my existing wardrobe, I often resort to re-sale and thrift store offerings.  They are low-cost, there are a plethora to choose from, and I feel like I need to do my part in making a dent with the unwanted and uninteresting leftovers from our modern fast fashion industry.  Here is my latest re-fashion attempt, made for a special family occasion.  As a frequent vintage wearer, I am rather surprised how taken I am by this…it makes me feel so on trend with all the latest off-the-shoulder looks this summer!DSC_0923a-comp,wMy husband actually thinks it reminds him of the character Naomi from the television series “Mama’s Family”, although my dress is green and not her favorite shade of yellow.  For some reason, this attribution to Naomi makes me sigh, half-smile, and feel ever so slighted even though I know she was a great character in her own right.  Hubby is right, though, this is something she would totally wear!  I mean, she even wore an off-the-shoulder dress for her wedding to Vint!  Yet, do I think this dress reminds me of the peasant and hippie styles of the 1970s and 80’s especially with the hem ruffle, but maybe it’s the vintage lover in me which only wants to find a past decade to associate with.  I have a whole Pinterest board dedicated to peek-a-boo shouldered garments, starting from the late 20’s ‘til now, as well as a board for the Peasant look, if you’re interested in looking at more past twists on this modern trend.

THE FACTS:

FABRIC:  a rayon knit big-box store sundress 

NOTIONS:  nothing but some thread…

PATTERN:  none – this was all my own inspiration!

TIME TO COMPLETE:  Making this dress took me about 2 or 3 hours and it was finished on July 5, 2017.

THE INSIDES:  cleanly overlocked (serged)…more on this below.

TOTAL COST:  I only paid $2 for this dress about 2 or 3 years ago

I have been waiting for the perfect re-fashion idea to hit my mind for the few years since I bought this dress.  After simmering on the back burner of my projects list, it was only recently that I suddenly came up with this idea which felt ‘right’.  I went with it (as you can see), and was so pumped to dive in that a picture of the original sundress was forgotten before it became re-fashioned.  Oh well – it was very boring and basic after all.  The original dress was just an empire, under bust sundress with spaghetti straps and very long skirt which had two ruffles at the bottom hem.  There were inseam pockets – one on each side – at a very awkward, low hip spot.  It was pretty much shapeless and uncomplimentary, but the fabric is a wonderful rayon knit with a nice color and print, so I figured it was worth saving.

My first step was to cut off the bottom of the two large hem ruffles.  Most of this became the shoulder ruffle.  I couldn’t have asked for an easier refashion here – I kept the gathers at the top of the ruffle when I cut it off, so all I had to do was hand tack it to the spaghetti straps and the neckline front and back centers.

There was just enough left over from the shoulder ruffle to make a new, wide, middle body waist band so I could have more shaping than just the high empire seam (which gets covered by the ruffle anyway).  The skirt was cut off at the empire seam and my new middle waist panel was sewn in there instead.  It extends down to my natural waistline so the skirt could be re-sewn on at that point.  I did cut off an extra several inches from the top of the skirt portion, just so the inseam side pockets could be at a natural height for my hands at mid-hip.  Next, this was stretched while sewn onto the bottom waist seam of the middle body panel, giving the dress a nicely controlled and loosely gathered skirt.

As this is a ready-to-wear item originally, I departed from my normal dislike of serging (overlocking) seams and thought I would give it a go again just to match with the rest of the finishing inside the dress.  This is a knit so I figured I probably would not need to really change, adjust, or otherwise tailor this too much in the future…but hey, this was cheap enough to buy and no skin off my back if it didn’t turn out.

Since I do not have a serger, I made a visit to my wonderful neighborhood sewing room.  It’s a place equipped with every sort of machine, notion, fabric, pattern or necessary supply I could ever want sewing-wise and the best creative, happy, and friendly atmosphere one could ask for…with a kitchen and wash room to boot.  I pay a ‘per hour’ rate and get sewing done while relaxing and enjoying the company of interesting, fellow sewing enthusiasts.  There are many such places popping up all over – I suggest you search and see if there is something like this in your town…if there is, please support it; if not at least do what you can to connect with other sewing friends!  Apart from my diversion in topic, I now had the perfect reason to spend more time at my local city sewing room, and used the sergers and large cutting tables there to make and finish my dress.  I totally had much more fun making this dress than it is to wear it.

Don’t get me wrong.  My dress is great, and I do like it, but I am not just 100% won over by this off-the-shoulder trend.  I plan to try some more versions yet, to find one I like the best.  As elegant and airy as it is, I feel like I’m always loosing something down the sides of my arms…apparently I’m not used to it.  For those of you that do wear these off-the-shoulder fashions, I need to ask you some questions.  Do your ruffles ever happen to have their hems roll up on you when you lift your arms up?  (This is a “problem” with my dress.)  What do you do if you are chilly – do you like sweaters, loose shawls, or jackets over your off-the-shoulder ruffle fashions?  (I haven’t yet found something I like to cover my arms against some air conditioning which is cranked up like the inside of a refrigerator.)  Also, to get technical, does anyone know whether an off-the-shoulder ruffle is really a sleeve or not?  Just wondering.  If anyone can let me know what they think or know, it would be much appreciated.P.S. – Does anyone else (like me) get the biggest kick out of the character of Naomi from “Mama’s Family”?  I just couldn’t achieve her second season massively fluffy hair the day of our pictures, unfortunately…

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Modern Delineator Girl

What happens when I want to imitate the cover of a vintage Delineator magazine I own, but I only have one measly yard of matching fabric to work with?  This…I become a modernly basic version of a year 1931 Delineator girl.

Delineator 1931, front cover-comp,w, & my tank dress pic

I’ve made vintage fashion up-to-date before, but never to this point.  I’ve also never used stripes in the sometimes uncomplimentary horizontal direction before, and I am still being won over to the result.  Nevertheless, this is comfy to wear, cool for summer, and as easy to sew up as it is to accessorize.

DSC_0856a-comp,wThis dress was made so I could have a patriotic set for Independence Day as part of the “4th of July Proud Dress Project” sponsored by the blog “Akram’s Ideas”.   It was worn with my handmade necklace of Lapis Lazuli beads, blue sapphire earrings, and my own navy nail art for a full American color combo – complete with sun hat!  Unfortunately, temperatures were lower than normal and a bit too chilly for me to be completely comfortable in my dress for long, so I’m looking forward to much more use of this once the full heat of summer kicks in here…especially for those dash out of the house errands or after school pick-up occasions!

THE FACTS:McCall's 6559, tank dresses with cardigan

FABRIC:  The red and white striped fabric is a lovely 100% rayon knit; the lining is an ultra-lightweight polyester interlock in white

PATTERN:  McCall’s 6559

NOTIONS:  Nothing but white thread was needed, and of course I have plenty of that!

THE INSIDES:  Pretty nice for a knit dress – as this dress is fully lined (yes!), all the seams are covered except for the raw edges of the bias binding around DSC_0859a-comp,wthe arm openings and the neckline

TIME TO COMPLETE:  The dress was finished on June 22, 2017 after only 4 or 5 hours. 

TOTAL COST:  The striped rayon knit was a folded up remnant, not even on a bolt, bought when Hancock Fabrics was going out of business.  Thus, I believe I bought this for about $2.  The interlock is something I have a stash of on hand, so I’m counting it as free making this one awesomely low cost yet high quality dress!

Rayon is my ultimate favorite fabric.  When it comes to a rayon knit, there isn’t anything more dreamy and luxurious to me.  Nevertheless, rayon knit is terribly thin and delicate.  Thus I figured my striped fabric, being a rayon knit, needed a lining if it was to be DSC_0860-comp,wpractical and wearable for me.  Giving this tank dress a full body lining eliminates any see-through issues, feels wonderful on the inside with no seam allowances rubbing, makes my dress a total step above any store bought tank dress, and helps keep the rayon dress in its proper shape.  It was a win-win all around, especially since I used the lining to even cover up the hem, doing a hand-stitched finish to “make-up” for the rest of the dress’ simple design and ease in sewing.

I have long been wanting to use this tank dress pattern and it pretty much sewed up to my high expectations.  The fit is nice only because this dress’ pattern seems to run generous and I had to take it in by an extra inch or two to get a loosely close shape.  The length was dictated by the amount of fabric available (not much – a 55 by 30 inch square) and so it is a tad shorter than I would like.  The bias binding on the armholes and neckline is interesting and was an easy and conventional means of finishing off the edges.  Somehow, though, I wish I would have made it skinnier (that is, less noticeable) as well as sewing them so that they covered up the seam allowance from the inside.  However, it works, and as I didn’t want to spend too much time working on such a basic dress, I’m happy with it how it is.

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I did choose the racer-back option, but for some reason I do not think it turned out quite as it should have.  The racer-back ends up looking (to me) like a half-hearted attempt and not a full, shoulder blade baring style as I expected.  I left the dress’ bodice back as it was because I do like the fact I do not have to adjust or change my lingerie strap configuration, as I would have had to do for a true racer-back.  However, I think it makes me seem like I have swimmer’s shoulders from behind.  I don’t swim, and although my shoulders are my strong point, I feel they are big enough and am sensitive about emphasizing them like this.  Sorry, off topic!  My point is, if you do want the full racer back to this pattern, I think you will have to do some re-cutting first.

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Here’s yet another good example of what can be done with only a yard of fabric and a vintage inspiration.  Not too often do modern patterns seem to lend themselves to being a one yard friendly project – sometimes I wonder if they’re in bed with the fabric companies.  That compatibility with small cuts of material is usually something I see provided through vintage patterns.  However, I hope this dress project of mine inspires you to keep your eyes open for both old and new opportunities to use those discounted small cuts, those remnants taking up room in your stash, or those pretty fabrics of second-hand clothing you no longer fit in.  Open them up and start experimenting with the layout of some pattern pieces and you might be surprised!

Also, just because a vintage garment or image inspires you doesn’t mean it has to translate into something old-fashioned…like my tank dress, your garment can be whatever you want it to be, for whatever occasion or era you would like!  Keep being inspired and creative out there, dear readers, and happy sewing!

Water Nymph

The month of April is synonymous with being wet from spring showers.  The month also frequently hosts the holiday of Easter as well.  I think I’ll just be ‘one’ with it all!

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To me, there is almost nothing that equals the calming noise, relaxing loveliness, and happy beauty of being at a woodland pond and trickling creek.  Top this off with a perfect spring afternoon and Eastertime – and we couldn’t ask for a better place to hang out, do some weekend recuperating, and take some photos of my newest dress.  It is made from a simple pattern at the heart of the “Flower Child” era, 1969, and has a water-marked sort of faded tie-dye knit to match.  My inner “nature goddess” needed a self-made lilac flower crown to complete the whole ensemble!  However, for some of my pictures later on you’ll see me stripped of the sash belt, flower crown, and even shoes to go more ‘natural’…

I see pastels everywhere (fashion-wise) this season, and I am not one to purposefully follow trends, but the new, rayon-based, super-soft knits at my local fabric store tempted me, too much.  They also happen to be a designer line!  Now I can be on trend, yet still sneak in my vintage love with this dress, he he.  Vogue 7463, late 1968 or early 1969

THE FACTS:

FABRIC:  a Kathy Davis Designer brand knit “Eraser Purple”- 97% Rayon 3% Spandex knit.

PATTERN: a Vogue #7463, from either late 1968 or early 1969

NOTIONS:  nothing but thread and two small strips of interfacing were needed –simple!

TIME TO COMPLETE:  the dress was finished on April 1 (2016) after about 8 hours spent to make it up.

TOTAL COST:  This fabric was a very recent purchase from my local Jo Ann’s fabric store.  I spent about $18 for two yards…a bit more than what I’m used to spending but worth it for a designer printed dress like this one!

This garment is part of two sewing challenges actually – the “Wardrobe Builder” dress project for April as well as the “Easter-Spring Dress” sew-a-long.  It is part of the “Wardrobe Builder” project because firstly, it is a dress, plus being one that is so very practical yet dressy at the same time.  This combo should make this a nice go-to for early spring, especially since it has long sleeves to keep me warm enough through the chilliness we so frequently have through the season.  My dress is part of the “Easter-Spring Dress” sew-a-long because of the obvious…it is perfect for spring and was specifically made to wear on Palm Sunday. This is part one of two dresses for this sew-a-long.

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Only because the design was so simple was I able to plan for two new garments for Easter time!  Although it is simple, the design is first class.  The instructions were very complicated for what one would think looking at the cover envelope picture and design lines of the dress.  The instructions were meant for a fully lined dress with fancy tailoring and made of a flowing woven as suggested by pattern back.  My own dress was much simplified, mostly due to the fact it’s merely made from a single layer of a drapey knit with no seam edge finishing.  I’ll admit I am not used to working with true vintage Vogue patterns – maybe such thorough instructions, fine designs, and nice details are the norm of all their offerings, whatever era they come from.  I do generally love the modern “Vintage Vogue” line of patterns for those same features.  Maybe, I just have a new ‘need’ to find and make some more old Vogue patterns!DSC_0036-comp,w

The rayon knit has a shifty, heavy drape so the wide bateau neckline, which is the highlight of the dress, needed to be interfaced.  I used a stiff, sew-in mid weight interfacing attached to just the one-piece, self-facing which gets turned inside the neckline.  However, the rest of the dress was left without anything to stabilize the seams and this seems to work out fine, but I still am not sure.  Was I supposed to add in seam tape to the long French bust darts, at least – or maybe to the side seams, too?  I didn’t.  The dress seems slightly generous in fit the way and I supposed it was because of the nature fabric but I don’t mind – it only adds to the comfort of wearing it.  However, I do have a very strong suspicion that this dress will “grow” after every wash, the fabric getting slightly bigger and out of shape.  That’s why they added in spandex to the rayon, to prevent this, so I shouldn’t be suspect.  So…for now I’m happy with it the way it is and if it does “grow” on me the more I wash and wear DSC_0047-comp,wit, I suppose I’ll either take it in or/and add on the seam tape then.

Only minor adjustment were made – to lengthen the dress hem and sleeve length by one inch.  I like this length of the dress (and it has a 2 inch hem) but the sleeves took about a 4 ½ inch hem to get them to the length they are and they are still a tad long.  Other than the fact that the sleeve armpit seam dips rather low for my preference and I raised by just under and inch, this dress was straightforward to make.

My floral crown was made from artificial lilac stems bought at the dollar store, carefully layered and wrapped around a band of floral wire with floral tape.  This coronet only cost $1 and I’m so pleased I could spend so little to come up with something every bit as lovely as I had hoped.  I would totally wear this out much more than I will, in fact – boo hoo.  It is so fun!  Hubby lets me do my own thing with my projects and outfits, but this floral crown makes him sigh and roll his eyes at me…really?!  Yes, really – it is awesome to wear just what I want and frolic in a lovely flower crown, just because I came up with an idea and was able to make something of it.  Luckily, previous experience from briefly working at a floral shop came in handy here…

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I do have to laugh at myself that I sew with a non-floral fabric and have it in my mind that it is inspired by nature.  It figures!  Oh well – after spending the week before at home being sick, this outfit gave me the prod I needed to get out and enjoy my favorite part of the outdoors.  Inspiration is everywhere.

For more pictures of my ‘frolicking’ through nature in this outfit check out my Instagram!

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