A Few ‘Unmentionable’ Sewing Projects…

There’s been a lot of overly basic sewing going through my machine over the past months – and I’m talking about more than just masks.  The couple that wears handmade clothing stays together…did I get that right?!  Thus, I might as well spice that necessary stuff up a bit to make my practical sewing more interesting.

Not content with once around, the leftovers of one recent refashion plus some lace remnants were enough to eke out a special little sewing for my intimate wearing!  Then, some one yard novelty fabric remnants went towards making some quirky new boxers for my hubby.  Sorry if this is quite “too much personal information” to share, but I am proud of all the sewing I do and this stuff would never be seen otherwise if I didn’t post about it!  (That might be a good thing…anyway.)  I do think these look nice enough to share, especially my pretty bra, and yes – they are brand spanking new at this point.  It’s so hard to show how wonderful these items are without modeling them, but we’ll spare you that!  You’ll just have to believe our words and settle for my beginner’s ability to pull off an interesting flat-lay.  I paired the items with something that recalls the era of the pattern date.  You can see a peek of my silk true vintage 1930s pink bias slip as the backdrop for my bra, while hubby’s favorite vintage 60’s skinny tie and his monthly magazine subscription are the accessories paired for his boxers.

I think it is important to post about making underwear and lingerie so as to show others that it is much easier to make your own basic necessities than you might think.   These items are 100% more comfortable on us and much better fitting than any store-bought RTW items.  No wonder – they were tailored along the way to fit each of us, besides being incredibly personalized with the materials chosen, turning into an everyday treat to wear.  Also, everyone can see how pricey it is to buy quality, name-brand underwear and lingerie.  With remnants and under a yard of material, you can sew yourself something better than RTW at a very low or even free (if using scraps on hand) cost.  It’s a win all around.  Especially when these are such easy-to-make patterns, and vintage designs to boot!

THE FACTS:

FABRIC:  except for the little bit of lace on my bra, every item shared here is in comfy cotton – each one is just a different variety and weight of cotton (I’ll explain in further down in the rest of the post)

PATTERNS:  the brassiere – Simplicity #8510, a reprint from 2017 of a year 1937 sewing pattern (originally Simplicity #2288); the men’s boxers – Simplicity #5039, year 1963, from my personal pattern collection

NOTIONS NEEDED:  Luckily, I had the specialty bra making supplies already as part of a $1 grab bag of notions I bought a while back at a rummage sale.  Besides that, everything else I needed was basic – thread and elastic.

TIME TO COMPLETE:  The brassiere was made –from start to finish – in 3 hours and was made in the afternoon of July 27, 2020.  His boxers were made here and there over the past few months and only took 1 ½ hours each to make.

THE INSIDES:  The insides of the bra are cleanly hidden, encased between the layers, while hubby’s boxers are zig-zag stitched finished along the edge.

TOTAL COST:  Each boxer cost about $2 to $4 (what a deal) while the bra materials are as good as free, being mostly leftovers from something 15 plus years ago.

So – where to start?  At first, the motivation for such sewing was both pure necessity as well as an inability to shop for such things in person (as we prefer).  But you know, what?  Somewhere along the line such basic sewing became more enjoyable.  We normally make sure to save my time and buy such items, yet the amount of 1 yard or less cuts that I have on hand are so plentiful and the perfect resource.  Besides, they both were quick projects that required barely an hour and so were practically perfect for the small segments of time I have for sewing recently!  It is nice to have a fast turnout item in between more complex projects, like the over the top dresses that my pandemic brain has been needing as of late (more on that soon).  It’s wonderful to have a completely handmade wardrobe inside as well as out, and it is also really special to be able to share that feeling.  I suppose doing such would be weird to share with anyone else but a partner, anyway!

I will start off with my selfish sewing.  The 90’s plaid skirt I refashioned to become this 1940s blouse had a basic cotton lining underskirt to it which was left behind.  It was a very small amount, about a half yard wide by about 25 inches long, but in simple A-line shape with only the two side seams so it was as good as a folded fabric remnant.  While it was out and not stashed away yet, why leave that good fabric neglected without a productive idea to match with it?  That would not be me!  So I reached for something that would need very little fabric, be different to make, and be something I could use at a practical level.  The basic ivory color and semi-sheer thickness dictated using the leftover lining cotton for some garment that was not to be seen.

This vintage year 1937 lingerie set has been a pattern I have been itching to try ever since I picked it up when it came out and so it was the natural choice.  Even though I was only able to use the skirt lining for a half set – just the bra (and the leftover fabric went towards two face masks) – this refashion was an immense success that makes me excited to pick up the pattern again and make a full set in a fashion fabric.  This is a very lovely surprise project, and a totally wearable muslin test.

As the lining cotton was a plain ivory and almost sheer (even with two layers), I realized mere dyeing to change the color would not add both a special touch and a bit of decency to this bra the same way layering it with some leftover lace did.  As the pattern is not complex and has very few seams I chose a posh French lace from on hand to layer over the outside.  Wow, does that lace addition really elevate this bra!

Yet, without realizing ahead of time, I found out it is a good thing that the lace was so delicate and the cotton was so soft and thin because it was quite hard to gather the middle seam of the bra down to the length the pattern intended.  As it was, I could not gather any tighter and that spot is still ½ inch longer than supposed to be.  If I had used a fabric any thicker this detail would have been even more difficult.  It is important to get this section as closely gathered as possible because it provides the bulk of the bra’s shaping, beside the small underbust darts.  The lesson learned (without having to recover from a failure) is to keep to lightweight, thin, and drapey for at least the brasserie half of this vintage reprint design.

Other than the challenge presented from the fabrics I was using, this pattern was a breeze to sew.  I found the size spot on and the instructions good.  The shaping of the bra is well done and the support is gives is just enough to do its job while still being comfortable to the point of feeling heavenly.  Of course you can see I upgraded to modern bra notions when it came to the notions used just so that this can be a vintage merge to get the best of both worlds.  There are times where I like to go all out vintage so I can both learn a new, different way of doings and also come from a historical perspective to try to understand how things used to be.  I did that already, however, for this earlier 1930’s lingerie set (posted here).  That aqua bra was finished the way the old vintage instructions dictated – with twill tape straps and such in the non-adjustable manner – and it needs constant tweaking to be brought back up fitting me as perfectly today as it did when I made it.  This time, I was determined today’s pretty little project was going to be more enjoyed than the last vintage lingerie, and what better way to do that than make it fully adjustable for my body and a touch more up-to-date?!

Next comes my unselfish sewing project!  This trio of boxers were very much mindless sewing I really didn’t have to think about how to construct.  They were pretty much the same as the 1940s pajama pants I had made him (posted here).  To save on interfacing for the front fly, I merely tripled up on fabric layers.  Interfacing and elastic still seems hard to come by, but luckily I had a pretty good stash of 1 inch wide elastic from my deceased Grandmother.  Thus, with the exception of the first pair of boxers I made for him – the animal print ones – which were two channels of ½ inch elastic, all the rest were a single piece of wide stretch waistband.  The instructions said to make two channels, but he seemed to find the dual channels of elastic would twist and line up wrongly as they get worn, so a single wide elastic waistband is always less fussy…and who wants fussy underwear?!

I gave myself a bit of a break when laying out the pattern for these boxers.  I laid the lower bottom edge out along the selvedge to save myself a bit of extra time to do hemming.  Also. I cut them opposite the grainline to save on fabric and better align with the directional prints on two of the boxers.  All of the pairs are cotton wovens that are not shifty and so going a bit against the rules of sewing and fabric isn’t a big deal, especially when you’re talking about mere underwear.  I normally never do such a thing so I was really in a special mood for such a disobedience to happen in my sewing projects.

Each pair is a different weight and kind of cotton.  As I said, I was not only using what was on hand but was experimenting to see what he would prefer.  The animal print ones as a tissue weight voile, the Captain America print is a medium weight quilting cotton, while the red print is something you might recognize, leftover Indian block print from making my sari ensemble choli blouse (posted here).  The Indian cotton was actually my part of a deal he made with me.  He encouraged me to not be feeling bad for placing a big fabric order from “Fibers to Fabric” on Etsy (yes, I honestly sometimes feel guilt for adding to my already generous sized stash of sewing supplies) as long as he gets a little something made for himself out of it.  I said I would use one of the fabrics to make him boxers, because I know how luxurious Indian cotton is, and underwear is the best way to appreciate good material.  It seems this is his favorite pair on account of the fabric – it is almost like a silk in the way it is very breathable, cooling, and weightless.

The voile is lightweight, yes – but not as silky the Indian cotton.  I know, he put up with me sewing him the animal pair, but I couldn’t help but think of Tarzan when I saw this one yard remnant.  Those were my crazy choice and my hubby has humored me.  The quilting cotton is a thick and tightly woven, as I’m sure many of you know (us vintage enthusiast always get tempted by its pretty prints for day dresses!), that has way too much sizing in it so it’s not the best choice for underwear.  Many washes will fix that eventually and break it in…and by then it might be looking almost worn out.  Ah, yes, I have a love-hate relationship with printed quilting cotton.  Yet, the Captain America print is so darn fun it has to be the winning boxer pair, though!  It is a print that is practically made for our family interests.  I actually ordered enough of this official Marvel brand fabric to make several face masks for each of us, with a yard still leftover to sew some pajama pants in the future for our little guy out of it as well.

The frequent wearing of loungewear along with finding ways to be self-dependent both are having a strong moment this year.  As we are all staying at home and outdoors more frequently, whether for work, play, or eating.  Crafting your own ‘unmentionables’ for your own personal comfort and enjoyment might just become as much of a thing as the “Nap dress” or food canning.  I love to be on trend using old trends.  Drive-in movie entertainment is coming back, so hey – anything is possible!

Handmade lingerie is really not as impossible a task as it might seem at first, and it is a fantastic way to use up small fabric scraps and bust that stash you’ve been holding onto, as well as be as sensible, sustainable, and thrifty as possible.  Besides, the holidays are coming and a handmade intimate garment would be an easy and cute little gift – just saying!  The world will never know how handmade your outfit really is when you make your own underwear…it’s merely a little undercover secret about your modern day superpower.

Picnic – Party of One

I don’t know about you, but I need to find time for myself more than ever in these crazy times.  A bit of self-care or at least a few moments of relation, or maybe even a little treat for oneself, is a respite necessary to get you through all the unending, demanding, crucial work that needs to be done.  A small, simple picnic – even if that means staying at home for it – can be just the remedy…especially when that includes a special adult drink!  I’m bringing the gingham and the linen cloth already with what I have on.

Looking to make the most out of small cuts of fabric floating around in my stash, I settled upon this fun 1980s era summer set.  Although this might look like just an interesting sun top with a basic pair of shorts, it is secretly more than that in intention.  It is a set that was a learning process for something bigger down the line…a sort of a training exercise on both how to do corsets and how to make something useful from even less than one yard of fabric.  I succeeded on both accounts here and ended up with a new summer outfit that I love unlike anything else currently in my closet!  What better reason to treat myself to a picnic, anyway?

THE FACTS:

FABRIC:  TOP – a polyester poplin in a golden yellow ‘tangerine’ gingham print from here at “Stylish Fabrics” on Etsy, with the body fully lined in cotton muslin and the peplum lined in a white polyester remnant (as I do these other peplums here and here); SHORTS – a heavy weight khaki 100% linen

PATTERNS:  McCall’s #8067 (from my personal stash) from year 1982 for the top and Simplicity #1887 from year 2012 for the shorts

NOTIONS:  Lots of thread, heavy interfacing, elastic, eyelet set, zip ties, seam binding and bias tape, and finally long lacing cord

TIME TO COMPLETE:  The gingham corset top took me only 5 hours to make, but an hour to retrace and resize, and an extra 2 hours to set the eyelets.  The shorts took me 5 hours to make from start to finish.  Both were finished around June 24, 2020.

THE INSIDES:  The top is fully lined, so there are no raw edges to be seen.  The shorts have all vintage bias tape with bright peach rayon seam tape for the hem.

TOTAL COST:  The short’s linen has been in my stash for so long I am counting it as free.  The muslin scraps and the poly lining for the top were also paltry remnants floating around for too long, so they’re as good as free too.  The rummage sale notions were pennies.  My only real costs were some of the special notions, eyelets + washers from here ($8) and zip ties ($3), and the gingham which I bought 2 years ago for $5.50.  Altogether I spent about $18 for this outfit set.

As simple as these two little pieces might look, they needed special supplies so they were a bit stressful to work with and challenging to gather.  I am dangerously low on certain sizes of elastic, and interfacing, basic cotton, as well as elastic are very hard to come by today so I was counting on this project being worth using my special supplies.  I also went ahead and ordered special corset specific eyelets, enameled in white (then had to wait for them to arrive, ugh) and had my husband pick up specific zip ties from the hardware store (which he needed to visit anyway).  I believe the lacing cord I use for the front of my top came off of a piece of clothing from my son that no longer fits into.  True vintage rayon bindings and bias tape (which my son helped me find at a rummage sale) were also used because I wanted these to be special from my point of view when I get dressed, even though they might not appear so from the outside.  So there were a lot of supplies from a lot of different locations and sources which involved creative thinking, anticipating the mail, and everyone in my household helping towards the cause.  Who knew sewing could be a family effort?!

Now, just like polka dots, gingham is my least favorite print.  I will avoid it at all costs.  So what possessed me to try this?  I’m always up for trying new things in my sewing, my husband said that tangerine color would look good on me, and bold, obnoxious prints always strike me as appropriate to the 1980s, to list a few reasons why I went for such a cheap little fabric splurge.  I needed a little bit extra to get free shipping on everything else I wanted to order from Stylish Fabrics at that time, anyway.  The big, obvious geometry to the print gave me just what I like, too – a challenge to see how well I can do some pattern matching.  I’m weird in that way…other people avoid prints that require too much effort to match, but for myself, I say “Bring it on!”  Luckily, I didn’t have to try too hard because this little top pattern was pretty basic, and there wasn’t any reason to attempt match with the bias cut ruffled peplum.  Yet, just look at those side seams!  Yes, they are hard to find because I matched up the gingham pretty darn well, if I do say so myself.  For the first time, I am liking gingham!

In the future, I really want to finish some of the historical projects I have had plans for over the course of many years past.  Yet – as any costumer knows – you have to start from the inside foundations before you can create the lovely outer garments.  I have ordered a circa 1840s corset kit from the Past Patterns Company so I can complete the rest of the undergarments I already have and finish my dress that I started 15 plus years ago.  Thus, I figured this little summer top would be a good project to make me a bit more comfortable and acclimated to the idea of a making a corset.  I took cues from cosplayers who teach via social media how to make a comfortable, non-historical corset on a budget with items easily acquired.  Just like I have seen others do, I used zip ties in place of proper boning.  Then, I strategically placed layers of interfacing in place of an overall heavy material.  Specialty eyelets are the only notion I did not scrimp on.

I could just picture this little summer top being all wrinkled up across the body and puckering out along the laced front if I hadn’t decided to have given it lightweight corset structuring.  This was my idea, to be clear, and not part of the original pattern’s instructions.  Granted, I also know that a modern or even a cosplay corset is not quite the same as a historical one, and the eyelets and boning will certainly be more time consuming and precise on my 1840s one.  All the same, though, this little structured summer 80’s top help me wrap my head around a certain idea.  It is not at all uncomfortable to wear – rather it feels good to know it will keep its shape and look good no matter how I sweat, move, or sit.  It’s funny, though, how the complexity I took towards making it is disguised under the image of an easy summer sun top!

As my body portion was fully lined in cotton, I immediately eliminated the upper edge facings.  Instead, I lengthen the facing pieces to extend from the neckline down to the bust and cut them out of heavy interfacing which was ironed to the lining cotton.  The sides of the top got a lightweight interfacing strip, as well as shoulder straps and the front eyelet edge.  Where the eyelets were to be installed, the self-fabric facing was turned under so there are plenty of extra layers there for support without interfacing.  The eyelets were a pain to install, did not go in consistently (even with using a pricey setting machine), and the back washers do occasionally pop out (but pop back in again, thankfully).  I blame some of this on the channels of ‘boning’ (zip ties) which are on either side of the eyelets.  Nevertheless, the front turned out so well!  I was terrified I would make a mistake putting in the eyelets and completely ruin my project.  That didn’t happen (almost did, at one point) so anything wearable out of this experiment is a success.

The peplum was actually the real risky detail, in my opinion, because I was super skeptical of it from the beginning.  “Hey,” I thought, “I have worn several different peplums before and I don’t want this to be a belly top, so I will give it a go.”  You know what?  I still don’t know if I love it, but I don’t hate it.  The peplum is kinda cute.  It sure is different, I will give it that.   Yet, too many unusual and new things in one project might be too much for me to handle.  Maybe this is why my shorts pair so well with the top, the way they are pretty basic.

Sure, these shorts are a bit baggy, wrinkled, and a simple elastic waist – but, after all, they are super comfy, a delightfully soft linen, and easy to put on.  They are just what I need in my wardrobe, and something I find myself wearing again and again this summer, so they are a winning project even if they don’t appear as fashionable as I had imagined they might.  Even though this is not an 80’s pattern itself, it has all the marks of being one, and so I’m counting the whole set to be of the same general time frame as my top.

For the shorts, I chose the size which I normally go with for modern Simplicity patterns.  Although they have a good yet loose fit, I could have went down a size for a more body conscious shape.  In this design, there is a lot of booty room, which I normally need, yet this is almost too much.  I definitely want to use some rayon crinkled gauze to revisit this pattern again and make some pants, so I will keep my lesson in mind for next time!

I do love the front waistband detailing and the deep, generous pockets.  These are the saving features to this design.  The flat front waistband keeps the bulk of the elastic waist away from the tummy (much appreciated) and the deep pockets combined with the baggy fit let me stash my phone and all sorts of items…and no one will know the better!  Why is it I feel I have to sew shorts, pants, and skirts myself to actually have bottoms that have such practical and complimentary features?!  Why can’t RTW items take cues from what people might really need and offer amazing items such as this?  I am only glad it is so easy to whip together the handiest little items – like these shorts – that I find myself wondering how I did without before.

Even though I had only one yard of each fabric, I did not use the full yard of either.  Amazingly, I only used barely over ½ yard of each, but then again, you all know how extremely efficient I am at finding an economical pattern layout!  Thus, these two are true scrap busting patterns.  Anything close to a yard is often considered a remnant, but a half yard is an obvious true leftover.  I’m not yet sure what I will exactly do with the remnants from this outfit.  It so easy to burn through my scraps to make cute and useful face masks, but I really think I ultimately want to save these fabrics to go towards something more creative and unexpected.  We will see.

Hubby laid out his old great Aunt’s handmade quilt for the celebratory occasion of my first time in this set…and what could be more appropriate for a picnic?!  I am connected to a whole slew of makers through both sides of my family, both women and men who were not afraid to make a living at one point in their life by being equipped with a needle and thread.  I am proud and happy to carry on a part of that.  Just the same, knowing when to stop and recharge is equally important when you work for yourself, especially at home.  “Picnic – party of one, you’re place is ready!”  Yes, please.  I’ve got a sangria in hand, so I’m just fine.

Roughing It!

I am the latest and greatest fan of the American west.  My recent trip last month to Nevada, then the drive to and from Los Angeles, has opened my eyes to a whole new environment I’ve never experienced before.  I – of course – have watched the “Wild West” in classic films and such, yet the great expanses out there are best appreciated in person, I can attest.  My casual and active wear wardrobe is always lacking and so I whipped up a cozy pullover sweater in preparation for the day I planned on going hiking. It was perfect to wear for the occasion… it adds to my experiences to have a memorable handmade item for wearing when I do equally memorable events!  Most importantly, though, was the lovely time in the sunshine, the beautiful atmosphere, and the company I had visiting with my friend!

For most of my pictures, my top will be partially covered by my overalls.  Hiking through the breathtaking Red Rock Canyon – where everything is prickly, rocky, rough and dusty – required something sturdy, sensible, and secure.  Heck with fashion photography this time, here is what I sew, being seen exactly how I enjoy it.  Thus I paired my self-made creation with Hell Bunny brand heavy cotton denim, vintage-inspired overalls (“Elly May Denim Dungaree”) for a sort of ‘Rosie the riveter’ flair with a modern, utilitarian aesthetic.  I guess vintage fashion is so ingrained in my life that I cannot help but take a pattern from today and merge it into my lifestyle’s flair for the styles of the past.

On my way down to Las Vegas, I paired my pullover with my Burda Style 1930s style Marlene trousers (posted here) for yet other variant of the whole vintage-made-modern thing I like to do, consciously or not. At the airport, my son did not want to see me leave him behind with daddy!  He’s mommy’s boy…at least for now!

THE FACTS:

FABRIC:  a one yard polyester knit remnant – it has a wonderful brushed outside which makes it appear like a sweater, yet there is a smooth knit, plain white inside

PATTERN:  Seamwork’s “Astoria” pullover

NOTIONS:  Nothing but thread!

TIME TO COMPLETE:  This pullover was made in one evening as a last minute project before leaving – in under 2 hours I had this top done on February 2, 2020.

THE INSIDES:  as this knit does not ravel and needs room to stretch, the inside edges are left raw.

TOTAL COST:  As the fabric was picked up at a rummage sale where all the sewing supplies are $1 a pound – and this lofty knit weighs practically nothing – this can be counted as good as free!

I am such a fan of the Astoria pattern on many accounts.  I love the shaping of the design, it has a figure-complimenting, high-waisted seaming, it only needs one yard, is super quick to make, and easy to sew together.  Except for the bother of printing out and taping together the PDF pattern, I truly felt like I blinked and it was done.  Isn’t there more that needs to be done, I kept asking?  Apparently, I am not used to such successful 3 hours or less sewing projects.  I figured it had to be a winner purely on account of the over 1,000 cute versions of it shared on Instagram alone!

Luckily, I read through many of the shared posts about others Astoria sweaters, and noticed the frequent mention that the sizing ran small, especially when it came to the sleeves.  My chosen knit barely had the recommended minimum of 25% stretch for I figured that fitting trend could cause an issue.  This was my true first Seamwork pattern (not exactly counting this sundress because, although it came from Seamwork, it is a Colette brand pattern) and so I had no idea what sizing to go by besides their chart.  Just to be safe, I went up a whole size than what their chart showed I should be making.  Now – even though my Astoria pullover does fit me, only in a snug fashion – I wish I had went up yet another whole size still.  I don’t know if this fit applies to all Seamwork patterns or just this Astoria, but it is easier to err on the side of caution for next time I try their designs and cut a generous size.

Please look closely and take a moment to appreciate the plaid matching I was able to achieve on an only one yard limitation!  This was not an easy to match, repeating print, either.  No matter how simple or quick and easy of a project I may be working on, I always make sure to do a really good job.  Among other reasons like personal satisfaction, a job well done gives me a reason to feel that my time is worthwhile enough to spend sewing versus buying something ready-to-wear.  (Most of the time RTW doesn’t offer anything close to what I have in mind to wear, so never mind!)  The wide, hem panel matches as well as the entire side seams into the sleeves.  Every little sewing victory deserves to be celebrated!

I realize it may seem frivolous to many to be focused on fashion and not dire events at hand happening in our world today, especially when it comes to travel.  However, in order to get through tough times, we need to find whatever helps us stay whole.  I am not the best version of myself being cooped up.  The memories of just last month – when I was free to travel out in the sun, fresh air, and open land, seeing new sights and going out of my comfort zone to visit someone I care about – needs to be refreshed for me.  Hopefully this post and its pictures provide a moment of respite for you, too, especially if you find yourself living vicariously through social media and telephone calls these days!  Oh, the great wide world out there might feel scary right now, but it is beautiful and it is calling for you to enjoy it!  Maybe don’t explore too ambitiously right this moment or in the next several weeks, but make sure to not grow content with the grind or stop seeing with your own eyes the real world outside of a digital screen.

I recently came across a quote from Travis Rice, as shared by the “Kind Humans Movement”, which strikes me as very relatable to both my post as well as today.  “Our lives have become digital.  Our friends, now virtual.  And, anything you could ever wanna know is just a click away.  Experiencing the world through second-hand information is not enough.  If we want authenticity we have to initiate it.  We will never now our full potential until we push ourselves to find it. It’s this self-discovery that inevitably takes us to the wildest places on earth.”  My thoughts exactly.

Preparing for ‘Ruff’ Weather

It must be miserable for dogs to have to do their potty business outside no matter cold or rain or whatever the weather.  Here where we live, it’s the cusp of when we normally start having all of winter’s most nasty weather, and our little fur baby does not at all like stepping outside in any such clime (not that I blame him!).  Being a dachshund – both long and short – most RTW coats do not fit him correctly and he waddles around in them unable to move naturally.  I’ve made coats for myself, I’ve made a coat for our son (posted previously, see here), and I have everything ready to sew a coat for the husband, but I realized there is one family member that really needed winter wear – our dog!

I had some scraps (literally just a few pieces) of quilted fabric leftover from the previous winter’s sewing.  The scraps were too small to warrant stashing away and an annoyance by keeping out.  Bingo! Our little companion can now go outside in relative comfort and style in a coat I made for just his body type!  Soon, everyone in my family circle will have a custom coat handmade by me.

His breed of dog has a German heritage, and so I put a bit of a Bavarian spin on the coat.  At first, that wasn’t intended – I was merely adapting the pattern to accommodate fitting his body, my shortage of available pieces to use, and easy finishing techniques.  However, I love everything about how it turned out!  In just over an hour, I had a made my pup a new coat.  Since the rest of the quilted fabric was used to make things for me, I personally know that stuff is super warm and cozy so I do hope he is as happy to wear the new coat as pleased as I am to see him in it.

I chose the extra small for the body of the coat and a small for the longer length plus under belly straps.  As it turned out, I only had to use one of the two under belly straps because he is such a little guy!  Also due to his smaller chest, a tissue fitting (tough to do on a wiggly animal!) seemed to show that the neck and tummy straps were at the wrong placement for him so they were the last things I attached at new spots for a custom fit.  He has a box of RTW coats which have been gifted to him and this is the only one that fully covers his back yet has him moving around and doing his outside business like he isn’t even wearing anything.  It’s about time…why hadn’t I thought of this before?!

The bias tape finishing the raw edges used up a color I never need otherwise and was the perfect solution to making this a quickly finished project.  My fur baby certainly doesn’t mind and I like the different combo of colors.  The tape highlights the extra collar that hangs over a half-hidden small pocket.  I will never know why dog coats have pockets – it is one of the world’s great conundrums.  Usually pockets are for the wearer of the garment to use, but I will be the one using it to carry things for his needs (if anything) so…is the pocket really for him?  If anything, it adds some extra interest and was a good way to use up the second chest strap I no longer needed otherwise.

I had a rectangle only big enough to cut out the main body without attached neck/chest strap, but as I mentioned before, they didn’t seem like they were going to fit as they were anyway.  The way to get the neck to fit was to have a separate chest piece…that was all I could manage out of my scraps anyway!  Those buttons are purely decorative because out of convenience the neck/chest piece is sewn down.  It’s one less thing to deal with to get him dressed because when he has to go, he sometimes can’t wait!  The sole side closure of the belly strap closes with Velcro loop tape.

This time every year I have so much more incentive to sew for others, anyway, but this is the first of my sewing going for a pet!  I don’t really expect to do much more sewing in that department, yet it is exciting to find a new use for my scraps.  I mean, dachshunds do show up on so many of the few pet patterns which do get released.  He probably hopes I don’t get carried away with my new discovery because he doesn’t necessarily like to model or be the subject of the camera.  He is so accommodating, though.   Don’t worry little buddy, the coat you were born with is plenty handsome…

THE FACTS:

FABRIC:  two-sided, 100% cotton covered quilted batting

PATTERN:   Butterick #4885, year 2006, View C

NOTIONS:  I only used what was in my stash – matching thread, bright orange bias tape, and some 1980s buttons out of the inherited stash of my husband’s Grandmother

TIME TO COMPLETE:  From start to finish, this coat only took me an hour and a half!

TOTAL COST:  Basically nothing – a few dollars or less!  This was made of the scraps leftover from 2 ½ yards of quilted fabric which has already went towards two different outfits.  A third re-iteration of the same fabric is practically free in my opinion!