There are many, many old movies that I absolutely love, and then there are others that I like just as much in their own way for being interesting, inspiring, or having actors/actresses I enjoy seeing. The 1945 noir film “Escape in the Fog” is one of the latter. Actress Nina Foch plays the part of a mentally battered war nurse who had a frightful dream of a future event while on leave for rest. She disturbs the hotel guests with her screams, bringing her to meet one of them – the actor William Wright, a mysterious but friendly (and handsome) double espionage agent whose future she had foreseen. Nina Foch becomes an important part to William Wright’s mission, but later she becomes a desired pawn for those w ho would seek to sabotage his efforts. I hope I didn’t give away too much of the plot here, but I find the details of this movie enthralling (the conversations, the subjects, etc.), as it was made during war time. Although it is not as good as Marvel’s “Agent Carter”, I enjoy seeing the lovely Nina Foch take on a significant role for a woman trying to actively aid world events, besides enjoying her alongside William Wright, to me one of the most dashing and little known Hollywood men of WWII times (next to John Hodiak).
What this chatter amounts to for this post is the fact that I made a suit set inspired by the fashion on the “Escape in the Fog” movie. It all started with finding and buying a $5 vintage beret-style wool hat, really. Soon after the hat was bought, I watched “Escape in the Fog” for the first time and I saw an almost exact style hat worn on Nina Foch. A few years back I had also made the skirt half to a 1945 suit set, and seeing all the finely tailored suits and trench coats both Wright and Foch wore in the film inspired me to finish up the coat half of my set. Now I have the perfect year 1945 outfit to relive “Escape in the Fog” by watching the details of life down darkened city alleys and warily wind my way home in the gathering dusk in a complimentary muted grey Glen plaid. It’s really the perfect suit for anytime, but a girl can dream, right?!
FABRIC: a rayon and acrylic blend brushed Glen Plaid suiting with a grey cling-free polyester lining the coat blazer.
PATTERNS: a vintage year 1945 Advance #3964 pattern together with a year 2006 Simplicity #4044 reprint of a 1941 Simplicity #3838
NOTIONS: The buttons for both the skirt and blazer came from the stash of hubby’s Grandmother. The bias tapes, interfacing, shoulder pads, and thread I used were already bought years back and on hand.
TIME TO COMPLETE: The suit jacket was made in about 20 hours and finished on October 25, 2016. The skirt was made pretty much a year before, whipped up in only a few hours.
THE INSIDES: The skirt is all bias bound finished and the suit jacket is fully lined.
TOTAL COST: Well, I sure stretched out only a few yards here! I only used about 2 ¼ yards for this suit – true 1940’s rationing smarts – which leaves me with about ½ yard leftover for another project! This suit set probably ended up costing me $10 because the suiting was bought on clearance from the now defunct Hancock fabrics, while everything else was from my stash on hand.
Well, this suit might be vintage but it also happens to be right on trend this cold season. Suit sets are the new “thing” it seems and popular in all styles and variety (see this recent post from Simplicity)! There is a suit style out there for every body and every taste – vintage or modern! Yet, I love how 1940’s suit sets are strong but womanly, simple at first glance with details and fitting that is top rate. This suit was originally intended to be entirely made from one vintage pattern, but as my old Advance #3964 was missing significant body pieces for the suit jacket, I had to improvise and use a modern Simplicity reprint to supplement. New pattern and old pattern combined, same wonderful details with a result I love!
Some of the older Simplicity reprints have disappointed me before when it comes to fit so I was wary about Simplicity #4044. I’ve already made the arch-waisted pants (blogged about here) and the skirt (blogged here), and they turned out great. Thus, I had high hopes for the jacket, and I was not disappointed! It was as easy as a suit jacket is going to get, and the fit was spot on…no bad surprises. I do miss the two piece, true suiting sleeves but the front closing and the general silhouette was strikingly similar to my old original Advance pattern’s jacket so I just had to try it out.
My favorite features to the suit jackets are a combo of the pockets and the bias front shoulder panels. Look how they really make such a simple design have some character that elevates! I interfaced both of these pieces in heavy interfacing, while the front facing along the edge of the jacket opening is reinforced in a slightly lighter weight interfacing. I feel this use of two different interfacing weights is a good idea for this jacket pattern. The bias shoulder pieces need to be stable to keep the strong shape of the jacket, and stiff pockets on lend a crisp, matching flawless air. The wide curving front closing edge isn’t quite supposed to be limp, nor like a poker, so something in between seems to be the right body.
Yes, I did slightly cheat as to the closure and made a fake button hide the snap closing front. Sometimes when I am undecided when it comes to what button to choose for a project, I am so reluctant to make something as permanent as a buttonhole. However, I did make this snap closing very nice and use it as an opportunity to try something new! With a tiny fabric remnant, I covered the exposed half of the snap before stitching it onto the jacket. It is fun to have such lovely features as this fabric covered snap on my sewing…it makes me feel so proud of what I can accomplish, and gives me what I feel is a small taste of the amazing attention to detail and fine finishing which is on couture garments.
Now my skirt was the necessary half to my finished suit but definitely the most simple and useful. Without the matching jacket, this skirt can go with many other items in my wardrobe – navy, ivory, green, and brown blouses, tops, and sweaters as well as a true vintage forest green 40s blazer (see this set put together in this post for Emily’s Fall Color Challenge). In this post I am wearing the whole set with a creamy pastel yellow blouse (not me-made, from a resale store years back) to brighten up the set and contrast with the black accessories. With the lofty thickness of the suiting and its brushed, cozy finish, this skirt is incredibly warm – like being wrapped in a blanket – yet with a light and manageable weight. I really don’t know how I made it through the winters before without this skirt!
I love how the pattern simplified the box pleat by having it all-in-one with the skirt. There is merely a center front seam and center back seam that nicely lines up the center of the folded sections which make the box pleats. I do find it sort of unusual that there is a center box pleat in back, too. Usually it’s only on the front. Sitting on a skirt back box pleat rarely ends up other than a mess, but surprisingly this one keeps its shape really well. Maybe it’s a combo of the fabric and a thorough steaming job from the iron. Whatever it is, it works! The fact that the folds of the box pleats are on a slight bias does give them a slight squiggly appearance, however.
Making the skirt was a bit frustrating for as simple as it was because it ran so very small! Most of the time patterns outside of the “Big Four” (Simplicity, Vogue, McCall, Butterick) tend to run on the larger side with a few random ones being true to size. Not this Advance pattern! I even graded up so it should have been slightly roomy on me, but no – it turned out mysteriously too snug. Luckily, I had extra room to give myself by letting out the side seam allowances as far as possible for the perfect fit. However, I would have preferred not to have to do that because there’s now no leeway if I need more room yet. I suppose it was a good thing after all that I did not use the suit jacket half of the same pattern because it could’ve run on the smaller side as well. I do see a good number of these Advance #3964 patterns for sale all over Etsy, Ebay, and various other pattern market sites, so if you pick one up for yourself, you’ve been warned about the sizing.
Sorry, but if you would like to see the “Escape in the Fog” movie for yourself, it is frustratingly hard to find. I just happened to get lucky and catch it on our local station which shows old classics. For being a movie from 1945, it is rather like one of the early pioneers of the Film Nor genre which hit its height post WWII.
However foggy and dreary my suit is in color, it is certainly not bland but useful and exciting to me. Actually, it is only the beginning of a small spell of suits that I have lined up for the next few months, most of them from the 1940’s. Will you be joining in on this suit trend, too? For me, it’s pretty much an excuse to make some of what has been languishing in my want-to-do project queue!